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Anniversary book from Semi Permanent is a 20-year time capsule of stunning creativity

Creative Boom

But while a talks program was, and still is, core to the Semi Permanent festival, it's only ever been half of the story, and from the very first – unintentionally – guerrilla exhibition with Banksy back in 2002, our desire has always been to create a platform for creativity.

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Mucho rebrand breathes new life into 92-year-old free festival in San Francisco

Creative Boom

In keeping with Rosalie's original vision, the wide selection of performers reflects the festival's commitment to exceptional programming and serving diverse audiences. The event is known for its relaxed vibe, as family and friends gather to picnic and enjoy performances in a natural setting. But there was a danger of becoming dated.

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F5: Alda Ly Revels in Reeded Glass, Icelandic Baths + More

Design Milk

Alda Ly Photo: Christine Han Living in New York City since 2002, Ly has long nurtured a curiosity in the evolution of work and cultural spaces, as well as in leading project teams guided by empathy. The studio’s ethnographic research then becomes the basis for deciding upon programming, functionality, concepts, layouts, and finishes.

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An Indigenous Film School in Ontario Goes to Venice

Azure Magazine

The institute was founded in 2002 by Dr. Shirley Cheechoo, a multi-award-winning Cree actor, artist and filmmaker who wrote, directed and starred in the 2001 film Bearwalker , the first dramatic feature film to be made by an Indigenous person in Canada. The program was so interesting – it’s giving voice to this youth that is at risk.

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The mechanics of non-human personas

UX Collective

Beans the possum To better understand how non-human personas could be used in practice, we worked with Dan Vo—at the time a students in the Master of Interaction Design & Electronic Arts program—focusing on the design of a more-than-human parklet intervention. Tehseen, N., Brigstocke, J. More-than-human participatory research.

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The Future of Ontario Place: Towards an Inclusive Preservation Dialogue

Azure Magazine

Other components met even gloomier fates: the Children’s Village was incrementally destroyed over the years, with the last remnant finally disappearing in 2002. The Forum was demolished in 1994 and replaced with the Budweiser Stage, whose commonplace architecture shrinks in contrast to the stunning Pods and Cinesphere.

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Accelerating Teams with Design Program Management

UX Collective

“ Godfellas” God Entity, Futurama 2002 I’ve been a design operations leader at Adobe Design for the last four years and in the business of program management for over a decade, and I wanted to take a moment to shine a light on the day-to-day and strengths of this sometimes unnoticed role. What is Design Program Management?