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Beer Chart is a refreshing tribute that raises a glass to football and UEFA Euro 2024

Creative Boom

If you've been keeping score over the years, you'll know that Studio Blackburn and Nirvana CPH have been at the forefront of design-led wall charts for every World Cup and European Championship since the Japan and South Korea tournament in 2002.

Media 472
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red-lipstick:Keiichi Koike (b. 1960, Japan) From Ultra Heaven, 2002 Â Â Drawings #eyes #illustration #inside #fear

Designspiration

1960, Japan) From Ultra Heaven, 2002 Â Â Drawings #eyes #illustration #inside #fear red-lipstick:Keiichi Koike (b.

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“We’ve had to stop and think ‘where are we going?’”: Mucho’s Marc Català on creating one of the world’s most exciting design agencies

Creative Bloq

Mucho’s creative director on how the agency has grown since 2002.

Agency 118
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Artist Paul Kidby illustrates eight special stamps to celebrate Terry Pratchett’s Discworld

Creative Boom

He began working with Terry Pratchet in 1993 and has designed the Discworld book jackets since 2002. Many Pratchett fans will be as familiar with Paul's work as they are with the popular series itself. In 2019 he illustrated Good Omens written by Terry Pratchett and Neil Gaiman.

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The Evolution of the FIFA World Cup Logos

Designer Daily

Korea Japan 2002. With the recent release of the next World Cup’s logo, which was as usual heavily criticized by both designers and non-designers, we thought it would be a good idea to take a look at the evolution of the World Cup’s logos since 1930. Qatar 2022. Russia 2018. Brasil 2014. South Africa 2010. Germany 2006.

Sports 169
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Buamai - 'UNTITLED' SCREENPRINT ON PAPER, 2002 — MICHAEL LEON STUDIO #blackwhite #print #screen #skate #california

Designspiration

Saved by foganddust (@foganddust). Discover more of the best screen print, skate, screen, prints, and paper inspiration on Designspiration

Print 52
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Anniversary book from Semi Permanent is a 20-year time capsule of stunning creativity

Creative Boom

"But while a talks program was, and still is, core to the Semi Permanent festival, it's only ever been half of the story, and from the very first – unintentionally – guerrilla exhibition with Banksy back in 2002, our desire has always been to create a platform for creativity. This book forms an important part of that journey."