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How AR is Shaping Design in 2025 The Role of AR in Interactive Storytelling The Future of AR in Design Trend 9: Sustainable and Eco-Friendly Design Practices What is Sustainable Design? This allows generative systems to “learn” what works best in terms of visual appeal, user interaction, or branding success.
Dowling envisions a future where expressive type adapts to user context, blending interactivity and personalisation to deepen relevance and impact. As typography continues to evolve, Dowling expects designers to become more experimental, making type an interactive, memorable experience.
Unlimited Downloads Over 1,500,000+ Fonts, Mockups, Freebies & Design Assets Mockups 6,131 items Fonts 5,191 items Download Now The Power of Unique Business Card Templates Why does a business card still matter in a time when most interactions happen online? The answer lies in the power of personal connection.
For example, check out this retro-futuristic website (a hypothetical example) that captures the essence of ’80s synthwave aesthetics combined with modern interactive elements. By adding layers of interactivity to otherwise static visuals, AR offers brands and designers a powerful tool for storytelling and engagement.
In a world of feeds, screens and constant interaction, audiences expect brands to respond, adapt and engage dynamically. That might seem like a simple concept, but it required careful consideration of how people interact with digital interfaces. These remain crucial, of course, but they're no longer sufficient by themselves.
Subtle Interactions in Modern Line Charts Micro-interactions are transforming how time-series data is presented. Designing Modern Line Charts Line chart trends are evolving beyond static data visuals into dynamic tools for interactive and engaging data narratives. Bonus points if they help spot outliers and abnormalities.
Manchipp rationalises that "with many vehicle options available, a long list of text can be overwhelming, while an interactive icon is easier to navigate". SomeOne also worked closely with members of the disabled community to develop a set of icons designed to help users navigate products and services quickly, easily, and clearly.
The pavilion’s flowing curves and tubular profiles frame the car as a central exhibit, while the open layout allows for dynamic interactions. Far more than a conventional display stand, “My Two Cars Garage” is an immersive environment designed to showcase the Macan’s innovative features.
He says: "We got really excited about the idea of committing to building individual systems separately and throwing them together into a single scene to see how they all interact." Instead of just handing over static assets, we could deliver branded pattern generators or interactive design tools."
Chosen by D&AD President Kwame Taylor-Hayford, Tanaka was recognised for his pioneering work at the intersection of storytelling, interactivity, and craft, which helped define a formative era in digital creativity. I'm very honoured," Tanaka said. "To Being recognised with care and an open heart is a special thing to me."
Suddenly, I had the power to see interactions, animations, and complex user flows unfold right before my eyes — instantly. But now, in 2024, we’re witnessing another evolution in our design toolkit — one where AI serves as a powerful ally in testing and validating our design decisions through rapid, interactive prototyping.
I draw inspiration from the vulnerability of nature, fleeting moments of human interaction with the world around us, and the bold spectrum of colours that can evoke entire moods and memories," he says. He's a thoughtful artist whose approach is very much about storytelling and finding emotional resonance through imagery.
The design system strikes a balance between modern Saudi aesthetics and the practical demands of a fast-paced digital product, ensuring a consistent brand reflection across all interactions. Alright Studio Alright Studio is a full-service strategy, creative, production and technology agency based in Brooklyn, New York.
This year's D&AD Festival took over London's Southbank Centre, with the new identity brought to life through immersive graphics, spatial design, and interactive installations. Limited-edition merch and tactile, high-quality signage added further layers of interaction throughout the space.
The rise of interactive type With the advancement of AI, typography is becoming increasingly automated and interactive. This interactivity opens up new avenues for creating engaging and dynamic brand experiences. See it as a language, a personality, a living entity that can transform how we perceive and interact with brands.
When it comes to UI/UX design , it can bring abstract design into the mix through animations and micro-interactions that improve user flow. What started as simple motion graphics to grab attention has transformed into an essential tool for making designs more interactive and immersive.
He’s part of the team developing a variety of AAA games at Flix Interactive. He’s currently part of the team developing a variety of AAA games at Flix Interactive. Edward Barons Social Links Navigation Edward is a concept artist who primarily works on video games.
He describes walking through a bank branch in Hawaii after its rebrand, seeing customers interacting more comfortably and feeling more at home, or hearing from Fatty15 customers who appreciated the transparency and purpose behind the design. Awards aside, though, Ali still measures success more quietly.
Whether it's a local chef slipping a bite to a nearby cat or a woman at the railway station offering a gentle pat, Heijnen looked for those quiet, affectionate interactions that might seem mundane but speak volumes. "Capture the moment, then hang back and see what unfolds." She's probably the one I spent the most time with," he recalls.
It’s about reimagining surfaces and transforming how we interact with the physical world. The roll of freshly printed artwork, hot off the press An office wall gets a colorful update by Embo Up close textures Roland DG’s gold media adds a layer of dazzling metallic details in this mural by Embo.
Credit: Lola Vasco Credit: Lola Vasco OFFF's role in shaping creative trends Across its history, OFFF has been at the forefront of major shifts in design, branding, motion, and interactive technology. Web development, typography, branding, motion and VFX. Salazar recalls. "I
Typography is evolving rapidly, reshaping how we perceive and interact with digital designs. Download Conclusion Typography in 2025 is set to redefine how we interact with digital interfaces. As we step into 2025, new trends are emerging to enhance user experience (UX) and interface (UI) design.
While the works can be appreciated as art objects, they are designed to be used, transforming the way we interact with the objects around us and the spaces we inhabit. The result is a collection of pieces that transition between abstraction and figuration, merging sculptural expression with usability.
In an era where online interactions often feel impersonal and fleeting, having a space dedicated to thoughtful, insightful exchanges is invaluable. The platform encourages interaction, discussions, and the sharing of unique perspectives. This interaction fuels creativity and enhances your design approach.
It wasn't just about how the brand looks, but how it behaves — how it guides a service interaction, or how a dining space feels." We built what we call 'operational translations'," says Philip. "It
The Science and Industry Museum in Manchester has launched a year-long interactive exhibition based on the hit BBC show Operation Ouch!, From supergraphics to signage and interactive illusions, Kit Studio developed an engaging visual identity that balances fun and scientific credibility. It's been a joy to work on Operation Ouch!
Testing fonts has also become far more dynamic and interactive, thanks to upgraded previews and better live rendering – even for variable fonts – giving designers a much clearer sense of how type will perform in context.
To that end, the site design features horizontal divisions, gradient glows from beyond the horizon, and an interactive sense of perspective to pull you deeper into the site as if you're journeying further beyond the horizon. It all works together beautifully.
The studio's founder, Vlasta Kubušová, describes it as a very open brief with a lot of freedom, adding that they "didn't have to compromise" on how they used the biomaterials and the interactions they wanted to incorporate. "We We were really able to explore what we think is relevant and create a great multi-sensory experience," she says.
It's about building something cohesive that lives across every interaction." Designing from the inside out Louiza's approach to brand strategy and visual identity is firmly rooted in depth over decoration. It's never just about how something looks," she says. She likens brand-building to character development. "I
The living area, envisioned as a central social hub, connects to auxiliary spaces like a custom-designed bar and an open kitchen, emphasizing inclusivity and interaction. Adjacent to the living space, the dining area is intentionally designed to foster social connections, with sightlines encouraging interaction.
His Guitar Street on King Street project lovingly repurposes donated guitars into an interactive experience, whilst his Cathedral of Sound—a large-scale sculpture constructed from hundreds of reclaimed acoustic guitars—creates what he describes as "a living, breathing sanctuary of sound".
Working across the development of a new brand vision and communication strategy, Base Design first created a library of animated signs and schematics to symbolise all the activities and interactions within the centre's projects.
This shift from 2D interaction with interfaces to 3D interaction is the primary interaction of our day-to-day life. Enhanced User Engagement: Serviced by 3D and spatial design, it is likely that one of the greatest strengths is that one can design more intriguing ways of interacting with users.
Witnessing the way speakers and audiences interact over the three days, for us, underlines the importance of coming together as a community to share ideas and experiences." Better still, they all add up to more the sum of their parts and what is quite a unique event.
So Daniel's team built in those aforementioned "chaos moments where everything from user interaction to live windspeeds can affect the font." In addition to setting the atmosphere, it needed to be extremely flexible and feature live inputs, as a significant part of the branding is about the unpredictability of the future. "So
From animations demonstrating GF Smith's manufacturing processes to interactive elements that mimic the flow and curvature of paper, the new website is a testament to the interplay between physical and digital mediums. Telling a Bigger Story Beyond the core branding, the rebrand extends to a powerful new brand film, The Portal Film.
I wanted to create stories where characters interact with each other and their environment. Jose's 3D journey Based in Málaga, Spain, Jose's journey into 3D animation began unexpectedly through his work in interior design and architectural visualisation. "My This was finally achievable when I discovered Reallusion tools."
Innovative Tools and Interactive Engagement A standout addition to this year’s initiative is the “Space Type Generator v.Kind,” created by Maryland-based generative designer Kiel Danger Mutschelknaus.
The collection includes stylish benches, accent tables, large case goods, accessories, and seating – each one inviting interaction, curiosity, and discovery. Cassini Tall Boy, Stern Armchair, Culvert Cube, Cusp Credenza Volume II builds on the foundation laid by its predecessor with new materials, forms, and finishes.
Lately, Pan has been particularly drawn to illustrating characters within environments, exploring their interactions with objects and spaces. This shift aligns with my growing interest in interior design and certain types of design furniture, allowing me to weave spatial storytelling into my illustrations."
Beyond the Paper: Unpacking GraphyPix’s Interactive Resume Template Imagine a resume that doesn’t just sit there, a static piece of paper. Instead, picture it as an engaging, interactive experience, almost like a mini-website dedicated to showcasing your unique skills and personality. Subscribe to our newsletter!
Each poster feels like a living entity, where typography interacts with its environment. Her designs explore the dynamic potential of letters as both communicative tools and visual forms. She uses distortion, layering, and repetition to create an intense, three-dimensional effect.
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