This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
We met Aino-Maija Metsola to discuss her signature style and creative approach to illustrating book covers. Its cover—a soft-edged, inky interpretation of space—was designed by Helsinki-based artist Aino-Maija Metsola. But, when illustrating this cover, she found it quite easy to connect with the story and work to the detailed brief.
Nothing can replace true human creativity, and a personal touch is something clients will always crave. And, to put things in context, the wider creative industries have had a rocky year, too, impacting the demand for illustration. Encouraging diversity enriches creativity by bringing unique perspectives and styles.
They recently partnered with global creative agency Stink Studios to create an evolved and expanded design system that unifies Riot's growing portfolio of games and media. Stink Studios began by carrying out research with Riot's creative teams.
Nothing can replace true human creativity, and a personal touch is something clients will always crave. And, to put things in context, the wider creative industries have had a rocky year, too, impacting the demand for illustration. Encouraging diversity enriches creativity by bringing unique perspectives and styles.
The airline commissioned illustrator and pattern designer Martha Olivia to create a suite of six bespoke illustrations for their High Life magazine. The brief came through her agents at Grand Matter, and she was immediately excited by the brief and concept. million TikTok posts.
Image licensed via Adobe Stock We share practical wisdom from the Creative Boom community to help you push through when inspiration runs dry. Creative block is a universal experience that affects everyone, from designers and illustrators to writers and photographers. Creative block is over." What if I tried this.'
As we approach 2025, the creative industry stands at a fascinating crossroads. The rapid evolution of AI is reshaping how we think about design. To gauge the industry's mood, we've spoken to leading creative directors, agency founders, and industry visionaries about the trends they believe will define 2025.
Studio Up North (SUN) has rebranded accessible bathroom designer and manufacturer Fitzroy of London, giving it an identity that reflects the craft and quality of its products while unifying its portfolio under one name. Fitzroy of London's mission is to create design-led washrooms that are safe, accessible, and dignified for all.
The Glasgow team of international design studio D8 has designed a new brand world for Edinburgh Gin, supporting the redesign of its core range bottles, which happened back in 2023. According to the studio's design director, Emma Durnan, D8 was very happy to be asked to work on the project.
Image licensed via Adobe Stock We explore which buzzwords creatives want to banish and look into a useful new app that might just be the answer to our prayers. Ah, the creative industrieswhere everyone is an innovator, a disruptor, and, apparently, a master of "synergy". Creative clichs we're leaving behind in 2025 1.
A deep dive into how design studio TEMPLO reimagined GF Smith's brand identity, balancing heritage with a bold, dynamic vision that embraces colour, movement, and a global creative community. Instead, it was a company willing to embrace radical change - one that recognised its role in shaping the creative sector's future. "We
Alphabet's studio in Manchester The Manchester studio has been making waves since 2016 with its ideas-driven approach and a guiding principle inspired by legendary designer Saul Bass. We take the time to dive into the brief and have open conversations to fully understand their vision. "We
Leeds International Festival of Ideas (LIFI) is an annual event that brings together leading thinkers, innovators, and creatives to explore some of the most pressing issues of our time. Credit: Tom Martin When it came to branding, the event organisers turned once again to Leeds and Glasgow-based design studio Rabbithole.
Creative director Rob Duncan explains how a new visual identity crafted by Mucho has helped that effort. So they turned to global creative agency Mucho. It was important that we discover the real culture, history and heritage of the country," explains partner and creative director Rob Duncan. "We
Montreal-based design consultancy Six Cinquième has created new foundations for The National Black Canadians Summit identity, giving it a solid framework while allowing flexibility so that new artists can contribute to it every year. This was achieved by creating shapes to frame the artwork, allowing for both consistency and differentiation.
In the design world of 2025, typography is becoming increasingly important. In a discussion chaired by Frontify's Digge Zetterberg, design experts Katie Rominger from Jones Knowles Ritchie (JKR) and Phil Garnham from Monotype peeled back the layers of contemporary typography, and looked to where it's currently heading.
It’s no secret that, as creatives, we want to spend more time coming up with fresh ideas and working on interesting projects rather than getting bogged down by administrative tasks like invoicing, keeping track of files, or managing back-and-forth feedback. Meanwhile, Figma was practically created for designers.
The winners of Penguin's 2024 Cover Design Award Competition was once again fierce for this year's prestigious awards by Penguin Books. We reveal the winners of its annual prize where creatives get a remarkable opportunity to showcase their talents. This, paired with my love for vintage typography and design, is my inspiration.
So they turned to Austrian design agency Studio Herrström. We chatted with the creative director and founder, Erik Herrström, about how they responded to the brief. At its core is a flexible and dynamic visual system designed to adapt to various contexts while maintaining a consistent and bold presence.
Image licensed via Adobe Stock A well-crafted brief is the cornerstone of effective branding. A brief is the seed from which every project develops and evolves. But crafting a successful creativebrief isn't an easy task. Be brief The clue is in the name: briefs need to be brief.
With a dynamic new identity, DesignStudio's brand refresh for DNEG embraces motion, creativity, and innovation, reinforcing the VFX giant's position as an industry leader. The move aligns with DNEG's evolution from a VFX leader into a broader creative force. It was crucial we deeply understood the entire business," says Di Cola.
Reflecting its commitment to social change, the Hague-based design agency has crafted a colourful and impactful new identity for itself. Located in The Hague, Netherlands, JUST is a design agency deeply committed to making a societal impact. Wonder, in turn, is the feeling experienced when interacting with a product they've designed.
However, like many creatives, her path hasn't been as straightforward as it sounds. After graduating from university, Beth became a graphic designer for a London-based football club and put illustration to the side for a while. "I This helps me achieve this within my illustrations and informs how I approach a brief."
Tips for getting your graphic design project featured (one being, send us lots of visual assets/mockups) Mockup via Art Directed Want to see your graphic design work featured in this online magazine? At the same time, we do want to hear about all the great work happening in the creative world right now. All context is useful.
Creating a logo for a startup is more than just designing a visual mark—it’s about crafting a symbol that reflects the brand’s identity, values, and vision. Startups often choose minimalist designs to convey clarity and focus, qualities that can reflect a streamlined business model or a user-centered approach.
Global environmental action NGO WRAP has a new informative yet striking identity, designed by the London-based studio Among Equals. It was clear from the start that, while fascinating, the brief would not be simple, as Among Equals had many different audiences and stakeholders to consider.
Graphic designer Jose Manuel Vega has dodged the tropes and cliches that define the world of cinema with his identity for film production and screenwriting company Pérgamo. Good stories and good design have a lot in common. Regarding his brief, Jose was given almost total creative freedom.
This new exhibition explores the senses with an eye-popping design that aims to bring science to life. designed to make science fun, gross, and deeply engaging for young minds. to create an exhibition that celebrates the senses," says Kit Studio creative partner Chris Bounds. Grossness is a big part of Operation Ouch!
With the recent (conveniently headline-worthy) Sony World Photography Awards 'creative open' category winner Boris Eldagsen admitting his winning "photograph" was in fact "co-created" with AI. And it's clear that at the moment, at least when it comes to creative pursuits, AI certainly has some huge limitations.
The brief 57 Festivals tasked Oat Studio with refreshing the visual identity of their events, which features some of the biggest names in UK comedy, including Josh Widdicombe, Sara Pascoe, Fern Brady and Phil Wang, and to better reflect their vibrant and fun nature. This led them to illustrator Rick Berkelmans, known as Hedof.
University of the Arts London is known for incubating some of the world's most creative students. Sean then went on to do a course at UAL himself: a master's in Graphic Communication at Chelsea College of Art & Design. And so their graduation ceremonies are a big deal.
Household brand Jaffa has launched a new identity designed by Earthling Studio as it moves into a new era of expansion and looks to enhance its digital presence. Despite being present in the previous design, Earthling found a way to push them further by giving them a contemporary refresh.
Appealing to a new generation of cocktail lovers was central to the brief and - with the rollout of new flavours from Pickled Bean to Lime and Extra Spicy - the identity needed to support Mott's ambition to go beyond the classic original cocktail and expand the expression. The Mott's team behind this one deserves a round of applause."
We chat with Rapha Abreu, VP of design at The Coca-Cola Company and Kristie Malivindi, creative director at John Knowles Ritchie, to learn how they collaborated on a new holiday campaign identity for the world's most popular beverage. And this new global toolkit is a stylish combination of nostalgia and modern design.
That last one was a wildly creative project, making the most of Jimmy's talents and a neat hat tip to his hometown. He has developed a playful and surreal style, thriving on '90s nostalgia while borrowing from art and design history. I have found that I'm an artist that responds really well to a brief.
Before we delve into the distinctive world of Studio n.io.s – an independent graphic design studio based between Prague and Shanghai – it's essential to understand the roots from which this creative powerhouse emerged. Founded by Ki Yang, a visionary designer hailing from Shanghai, Studio n.io.s is one of the 0.1% Studio n.io.s,
During this year’s PAD London , Movimento Gallery presented Marks of Existence , an exhibition designed and styled by Artefatto Design Studio. The nine designers worked within these constraints to produce nine distinct designs, each their own unique take on how these three players can come together in harmony.
Image licensed via Adobe Stock Navigating the transition from student to professional can be daunting, but these lessons from creative pros will help you achieve success. To aid you in this transition, we have curated a comprehensive collection of insights and wisdom from creative pros who have walked this path before you.
This new book reflects on two decades of creativity, but it's also about looking forward to the future, as the Sydney-based platform explains. We've long been admirers of the Sydney-based creative platform Semi Permanent , which is well-known for its live festivals, and now as a creative studio.
Karl Taylor We chat with the founder of Visual Education, which offers world-class training in photography, CGI, and design, to discover why this disruptive platform has been turning so many heads. In today's rapidly evolving creative landscape, the lines between different visual arts disciplines are increasingly blurred.
And the packaging, designed by Vancouver studio Glasfurd & Walker , in collaboration with illustrator Kate Dehler , hits all the right notes too. We chatted with Kate and Phoebe Glasfurd, co-founder and creative director at Glasfurd & Walker, to find out how they approached this unique branding project.
We chat with lighting and screen content designer Fredrik Stormby from Green Wall Designs about his plans for this year's song contest. That's because the stage and the creative team behind the event have just been revealed, and it promises to look like nothing we've seen before.
All images courtesy of Visual Education Adding a few strings to your bow helps you stand out and truly achieve your creative potential. Want to be a successful creative? Today's creative industry is all about collaboration, experimentation, and pushing boundaries. In fact, the more strings you have to your bow, the better.
Designed by award-winning creative director Chris Chapman, adam&eveDDB's new brand identity for Agua de Madre fizzes with joy and purpose. The brief Founder Nicola Hart tasked adam&eveDDB with rebranding and redesigning Agua de Madre, to create a multigenerational product which people would be inspired to drink.
We organize all of the trending information in your field so you don't have to. Join 66,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content