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New look and new showreel for Mutant Hands

Creative Boom

Mutant Hands – AKA animator and art director James Wignall – burst onto the creative scene back in 2005, one of a new wave of creatives at the vanguard of the noughties motion graphics revolution. James Wignall has curated a new reel to encapsulate his recent animation work and created a fresh visual identity to boot.

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In his loud, maximalist artworks, Andrzej G reanimates the 2000s

Its Nice That

It’s catnip for the graphic designer side of Pinterest for good reason, it’s new and old in a way that only someone born in 2005 could achieve – just young enough to miss most of the 2000s, just old enough to hijack it anyway.

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How the Adobe Logo Reflects the Evolution of Digital Creativity

Inkbot Design

When competitors were chasing flashy digital aesthetics, Adobe took the smarter routeevolutionary refinement rather than revolutionary redesign. This preserved brand equity while still appearing modern. This balance helped Adobe navigate the tricky waters of being perceived as innovative and reliable.

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Big Cartel by How&How

BP&O

Big Cartel launched in 2005 as a low-cost, easily customisable ecommerce platform specifically aimed at artists and other creatives. In the two decades since, the platform has quietly revolutionised what it is to be an independent maker, powering more than $2.5

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Big Cartel’s big rebrand by How&How throws caution to the wind

Its Nice That

Since 2005, countless creatives have launched their businesses with Big Cartel,” creative director at How&How Chris Clayton says, “we were brought in to help Big Cartel do what it does best for others: sell itself.”

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August 2025 Opportunities: Open Calls, Residencies, and Grants for Artists

Colossal

Open Call for Sculpture by the Sea, Cottesloe 2026 (International) Staged since 2005, the Cottesloe coastal exhibition features more than 70 sculptures and is enjoyed by 220,000 visitors, making the show a feature of Perth’s cultural calendar. Deadline: August 3, 2025.

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The Fanta Logo History: What Every Rebrand Got Right & Wrong

Inkbot Design

But it ended up looking like a stock graphic from a 2005 PowerPoint presentation. It was often placed inside a circle with an orange slice and a big, cartoony “splash” effect. It was trying so hard to look energetic and modern. It lost every bit of the unique, custom-drawn charm of the 1970 design. It felt cheap.