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It's all in the eyes for A Practice for Everyday Life's identity for the 59th Venice Biennale

Creative Boom

Crafted by A Practice for Everyday Life , the London studio founded by Kirsty Carter and Emma Thomas in 2003, it's inspired by Surrealism and represented by eyes, which can be seen dotted around the Venetian city. Catalogue published by La Biennale di Venezia. Biennale Arte 2022: The Milk of Dreams. Image: © Thomas Adank.

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10+ Best Desktop Publishing Software (2023)

Just Creative

Discover the best desktop publishing software in 2023. Desktop publishing software is used to create visual communications, such as brochures, business cards, greeting cards, posters, web pages for professional or personal printing online or on-screen. Affinity Publisher Affinity Publisher. Limited PDF editing options.

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How Phunk pioneered a riotous clash of art and design in Singapore

Creative Review

The monograph – named after a 2003 artwork – looks back on the early days of the studio, which was launched around the same time that the Apple Macintosh and software such as Adobe Illustrator were beginning to be widely used. Control Chaos is published by Thames & Hudson; priced $50, thamesandhudsonusa.com.

Art 132
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The Mystery of the Dune Font

Fonts in Use

Dune (1965) and Dune Messiah (1969) as published by Berkley Medallion in September 1975. At the time, the Berkley imprint was owned by New York-based publisher G.P. When Berkley Putnam published the first hardcover edition of the third novel, Children of Dune , in 1976, the new typographic identity was applied there, too.

Fonts 101
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Open Manifesto—the Quiet but Persistent Australian Design Journal—Was Ahead of Its Time

Eye on Design

You probably don’t need me to tell you that the publishing world is a tough business. While the internet — and social networks — have put the tools of publishing into the hands of anyone with a smartphone, they’ve also made questions of gaming algorithms, virality, and likes and shares integral to building an audience.

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Andrew Satake Blauvelt Elevated Graphic Design Far Beyond Notions of “Problem Solving”

Eye on Design

“Graphic design must be seen as a discipline capable of generating meaning on its own terms without undue reliance on commissions, prescriptive social functions, or specific media or styles,” wrote designer, curator, and writer Andrew Satake Blauvelt in 2003. . Graphic Design: Now in Production.

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Atomic design 2022: what we can learn from Eames and other design giants

UX Collective

Celebrating close to a decade since it was first published, a wave of design advocates continues to provide further commentary and adaptation. Into the quantum tunnel 2016: We revisit the instance when the atomic design was published as a e-book. To travel in-between time to the past, present, and the possible future.