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Laura Stein on the Five Books that shaped her approach to design, branding, and sustainability

Creative Boom

Cradle to Cradle: Remaking the Way We Make Things by architect William McDonough and chemist Michael Braungart I'm unsure what prompted me to pick up this book in 2002. I was out of art school and inching my way to a life in graphic design. But I did, and it truly blew my mind. What if we completely rethought our physical world?

Brand 433
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Mucho rebrand breathes new life into 92-year-old free festival in San Francisco

Creative Boom

And so Mucho – a global strategy, branding, packaging and graphic design studio founded in 2002 with offices in San Francisco, Barcelona, Melbourne and Paris – was approached to create a more modern, fresher, globally appealing identity for the festival that would attract younger audiences. "In

Artist 476
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“We’ve had to stop and think ‘where are we going?’”: Mucho’s Marc Català on creating one of the world’s most exciting design agencies

Creative Bloq

Mucho’s creative director on how the agency has grown since 2002.

Agency 299
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Super Logo Design

Logo Design Love

Super Logo Design , edited by Taki Ono , is a two-volume set of paperbacks published in 2001 and 2002 by Graphic-sha in Japan. These spreads are from volume two, available to digitally borrow on archive.org.

Vectors 77
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Studiographica, a digital archive of work by design studios that sadly no longer exist

Creative Boom

Paul Bailey and Mike Sullivan explain how and why they're archiving the work of some of our most-missed graphic design agencies. I co-founded an agency in 2002 called 1977 Design," Paul remembers. "We But while keeping up with the latest trends is good, who's thinking about curating all this work for future generations?

Agency 482
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Top 10 Times New Roman alternatives for designers

Creative Boom

Its recent iteration by Matthew Carter in 2002 saw it fully updated for the internet age. With wide and honed counter-forms, along with short ascenders and descenders, it provides excellent legibility and incredible sharpness at very small sizes, while the graphic shape of the serifs gives it a distinctive look. Griffith in 1946.

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The Evolution of the FIFA World Cup Logos

Designer Daily

Korea Japan 2002. With the recent release of the next World Cup’s logo, which was as usual heavily criticized by both designers and non-designers, we thought it would be a good idea to take a look at the evolution of the World Cup’s logos since 1930. Qatar 2022. Russia 2018. Brasil 2014. South Africa 2010. Germany 2006.

Sports 170