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Studio Dumbar/DEPT® Based in Rotterdam, Studio Dumbar/DEPT® is widely recognised for its influential work in visual branding and identity, often incorporating creative coding and sound, for clients such as the Dutch Railways, Instagram, and the Van Gogh Museum. Read more about the project here.
Tüpokompanii works across pretty much all things letter-based: designing and publishing retail fonts, logomark design, typeface modifications and language extension, research and consultation, Opentype feature programming, and offering custom type design services to clients such as the second-largest in Estonia, Tartu.
Image licensed via Adobe Stock It's all very well offering advice in theory, but how do freelancers and studios actually find their dream clients in practice? When you look at your list of clients, we all have a favourite. So many great clients have come to me through weak ties," she says. Or they might be anything in between.
Others, meanwhile, would love to shout about what they've created, but their clients frustratingly forbid it. So, instead, we decided to keep our personal opinions to ourselves and ask hundreds of designers across the industry to vote for their favourite graphic design studios today. The results are now in, and here they are.
Montreal hosted the summit for the first time in 2025, so it was important that both the consultancy behind the identity and the collaborating artist be local. Trust was key to the relationship between consultancy and client, so Six Cinquième really wanted to ensure that every visual element was intentional and inclusive.
Returning to Milton Keynes this May, All Flows has curated a proper treat for anyone with even a passing interest in graphic design, typography, illustration and creative innovation in general. Fancy rubbing shoulders with some of the industry's most exciting minds while soaking up fresh perspectives in an intimate setting?
Solo entrepreneurs and one-person consultancies find it provides the daily human connection that's often missing from isolated work environments. These aren't generic webinars delivered by people who haven't touched real client work in years. For freelancers especially, this community fills a crucial gap.
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Feeling constantly overwhelmed or resentful about client requests Working at "silly o'clock" regularly Feeling anxious when you see client messages outside work hours Struggling to find time for personal projects Struggling to find time for proper rest Noticing a decline in the quality of your work 2.
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Long term: mortgage paid off, move out of the city, travel much more and plenty of ongoing client work." Marketing and design consultant Nicholas Robb has perhaps the most enviable definition: "Having three hours during the day to take care of my kid and getting to work in my underpants if I choose to."
Supporting graphics, type, and colours that will work in the space. But what unites us is a sense of curiosity and the stubbornness to keep following our noses, keep going down rabbit holes with our clients." From there, our language and graphics melded; Alpine meets Appalachia, and we even consulted on interiors," Ky adds.
Her clients include global brands like Google, Twitter, Visa, and Microsoft and nonprofit organisations providing life-advancing support to vulnerable communities throughout the United States. An Italian independent typeface and graphic designer, Alessia Mazzarella is a specialist in type design and font engineering. Charlotte Adorjan.
So the first thing you need to do is get out there and chat with people, whether friends, family, colleagues or clients. subside, I tend to chat to my past clients, see what they have going on in their lives, and any recommendations they have for similar people in their field I can pester." And it makes my job more social and fun."
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Consultant Iain Worgan takes a similar line. "If Meanwhile Eliza Evans , a creative strategy consultant, suggests an even more proactive approach: using LinkedIn's algorithmic preferences to creatives' advantage. "Like so many things, it works if you work at it," says commercial photographer Neil Shearer.
That's exactly what illustrator, designer and creative consultant Molly Maine did in 2016, and since then, she's been enjoying the joy of travel while bringing her creative ambitions to life. I set up my laptop in a little cafe in the Himalayas and began looking for clients…" Since then, Molly has been travelling non-stop.
Though Lys practice tackles a wide range of projects, each space is imbued with a sense of play and reflective of her deep consideration for the clients human experience. She draws from two decades of experience in the graphic arts to inform fresh objects in the realm of ceramics and surface design.
As for the colour palette, Athletics channelled a diverse array of tones – modernist aesthetics inspired by fashion and skincare, film culture and research consultancies. Language itself also becomes a design object, with graphic repetition signalling vast momentum and extended reach.
"When you make a monumental f**k up, as we all do from time to time, be 100% open about it with your client while explaining how you'll fix it," he advises. Some of my best clients are a result of this very moment.". Be patient with clients. As well as honesty, clients will appreciate your patience.
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Centred around an ultramarine colour palette, with appropriately watery graphics and soundscapes to match, the revamped look nods to the dramatically expanded consulting, design and experience services the WPP company provides. Now, going by the shortened name Landor, the refreshing rebrand is the culmination of a five-year strategy.
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Leeds-based consultancy Robot Food has been doing just that, working with cannabis company Breez to launch a new candy product, Goldmine Gummies, in the US state. The design team were tasked with communicating each product's functional benefits with concise graphic and copy-based language and an optimistic tone of voice.
Then here's a recommendation from graphic designer Aaron Phelan. I'm looking forward to using it for more client projects in the future." This recommendation comes from graphic designer Rohit Sharma. It's another favourite of Haruko Hayakawa, who says: "I love Miro for brain dumping and collaboratively working with clients."
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People like Liz Mosley , a seasoned graphic designer with over 16 years of experience who made an unusual decision: to actively seek 100 rejections in six months. There should be a certain number of clients rejecting you." These aren't theoretical frameworks delivered by consultants removed from creative realities.
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I've been sending it out to creative directors and potential clients, and the reaction's been great. More generally, he says, "I'm riding it out, focusing on reaching out directly to potential clients myself. Earlier this year," he adds, "I emailed a previous client, saying 'you might like this recent project'.
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