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Print is Dead. Long Live Print.

We And The Color

The printing industry in the rapid change of the digital age. Is print dead? This is a question that many people have asked in the age of digital media, where information and entertainment are increasingly consumed online. However, this does not mean that print media are obsolete or irrelevant.

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&Walsh crafts potent new visual identity for global creative agency GUT

Creative Boom

Founded in 2018, it worked with iconic New York studio &Walsh in the following year to craft its original, eye-catching logo, which took literal inspiration from the intestines of the gut. GUT is a full-service independent ad agency headquartered in Florida and with offices in the US, Brazil, Argentina, Mexico and Europe.

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Let’s Get Physical: How to Get Your Creative Work Seen with Print

Creative Market

From a pattern designer’s portfolio to a playful project from Mailchimp’s design team, the 8 examples below show you how to put your best foot forward in print. When much of what you create is experienced on a screen, getting to share your work in print is a rare thrill. about his print publication, Find Peace. Keep Peace.

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The Hepworth Prize for Sculpture 2018

Inspo Finds

The award returned for its second instalment in 2018 and The Hepworth asked Passport to be involved again. The biennial award is awarded to any British or UK-based artist, of any age, at any stage in their career, who has made a significant contribution to the development of contemporary sculpture.

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9 Years Building the World’s Marketplace for Design

Creative Market

You start seeing many more handwritten fonts on Creative Market, including some that leverage textured brushes simulating dry and wet media strokes. 2018 was the year of the font duo, a product type that is still going strong in 2021. Display font bundles like this one by Creativeqube Design were very successful in 2016.

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Neville Brody on authenticity, outrage, and his thoughts on AI

Creative Boom

He was appointed Dean of the School of Communication and head of the Visual Communication Programme, becoming Professor of Communication in 2018. A kind of airing of viewpoints within that social media space. With a printed magazine or newspaper, you can't do that – you can't run around them all and black out statements.

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Rosy Eyes Peer Out From Leaves and Insects in Bizarre Illustrations by Ana Miminoshvili

Colossal

“Jasmine” (2018). Miminoshvili describes the surreal series as commentary “on anxiety, (the) fear of being watched, and pressure of social media exposure.” “Ladybugs” (2018). All images © Ana Miminoshvili. “Blooming face” (2020). “Caterpillar” (2020).