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&Walsh crafts potent new visual identity for global creative agency GUT

Creative Boom

It describes itself as a "Brave Agency for Brave Clients", which supports the likes of Google, Stella and Philadelphia. Founded in 2018, it worked with iconic New York studio &Walsh in the following year to craft its original, eye-catching logo, which took literal inspiration from the intestines of the gut.

Agency 415
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Social Media Challenges: The Good, Bad and Dangerous

Inkbot Design

Social Media Challenges: The Good, Bad and Dangerous Viral internet trends are not a new concept for anyone with social feeds. That’s why I’m asking myself, what is a “social media challenge”? You had better be prepared because it will get wild out here on this strange journey through the land of social media… dares!

Media 80
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Neville Brody on authenticity, outrage, and his thoughts on AI

Creative Boom

2, The Graphic Language of Neville Brody 3 (NB3 for short) showcases work from the last three decades across editorial, brand identity, typography, systems, information, and interface design for clients including Channel 4, Supreme, Christian Dior, Coca Cola and more with his studio, Brody Associates.

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Creative conferences and events to get excited about in 2023

Creative Boom

Whether you're interested in coding, fintech, social media, AI, health tech, data, start-ups, digital music, cyber security or AR/VR, they've got something for you. Speakers – local to the city where each event is held – share their first-round presentation process by showing the original PDF/Keynote/PPT file they presented to a client.

Digital 372
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Inspiring creative women to follow in 2022

Creative Boom

Her clients include global brands like Google, Twitter, Visa, and Microsoft and nonprofit organisations providing life-advancing support to vulnerable communities throughout the United States. Clients include IBM, World Community Grid and Tata Consultancy Services. Charlotte Adorjan. Olivia Christian. Alessia Mazzarella.

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ByElectra.com

Mindsparkle Mag

2021 brought tons of 2000s aesthetics; not only do we witness this in fashion, but all over social media, photographs have that vintage look. The main objective was to present a portfolio with the main clients and brands both designers have worked with. Can you recall your MySpace username? ‘Cause we’re digging deep.

Adobe 52
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What Employers Really Want – Readying Designers for the World of Work

Just Creative

To truly understand the employment landscape that graphic design graduates will enter into, design educators must apply real-time labor market data on employer demand to their understanding of the present-day job market. Two data sets of national (U.S.) Proficiency in Adobe Photoshop, Illustrator, InDesign and Acrobat are expected.