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New look and new showreel for Mutant Hands

Creative Boom

Mutant Hands – AKA animator and art director James Wignall – burst onto the creative scene back in 2005, one of a new wave of creatives at the vanguard of the noughties motion graphics revolution. James Wignall has curated a new reel to encapsulate his recent animation work and created a fresh visual identity to boot.

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Every Ad Tells Our Stories

Communication Arts

Starting my career in 2005 meant I caught the wave of the digital revolution just as it was gaining momentum. Tell us about Bindery, the New York–based creative agency and production company you established. How did you come up with the idea to create an agency with a script-to-screen model? Yes, absolutely.

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The Fanta Logo History: What Every Rebrand Got Right & Wrong

Inkbot Design

But it ended up looking like a stock graphic from a 2005 PowerPoint presentation. I once had a very traditional family-run bakery client who wanted a rebrand like this. Different designers and agencies were involved over the years. It was trying so hard to look energetic and modern. It felt cheap. Who designed the Fanta logos?

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Why Your Approach to Branding for Small Businesses is Failing

Inkbot Design

Sale The Brand Gap: How to Bridge the Distance Between Business Strategy and Design Neumeier, Marty (Author) English (Publication Language) 208 Pages – 08/04/2005 (Publication Date) – New Riders (Publisher) $39.99 −$14.86 $25.13 ” “We don't serve clients who need 24/7 hand-holding.”

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James Hurst on his new role at Google, Big Tech's bad press and why he's hopeful for the future

Creative Boom

Following graduation from the University of Brighton in graphic design, James got his first creative job in 2005 at Cog Design. James left and started his own design studio (Cure Studio), an illustration agency (HigginsonHurst) and a Type Foundry (The Type Foundry). It was a crazy time and a fantastic agency. What happened next?

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Oat Studio crafts fresh and cliche-free branding for major comedy festival

Creative Boom

Since 2005, it has delivered comedy shows and festivals to select cities across the UK. They aim to "bring big agency quality to smaller businesses and founders, giving them the best start possible and level the playing field". 57 Festivals is a London-based company specialising in live comedy. He responded with enthusiasm.

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NB Studio crafts a fresh, rhythmic identity for the Philharmonie Luxembourg

Creative Boom

Opening in 2005, it seats up to 1,500 people and plays host to around 400 performances each year. The institution's new visual identity, designed by London-based branding and communications agency NB Studio , is designed to connect with a new generation of concert-goers by evoking the emotion, experience and the eclecticism of music.