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Top 10 Times New Roman alternatives for designers

Creative Boom

The new design was supervised by Morison but was actually drawn by Victor Lardent, an artist from the paper's advertising department. Its high typographic quality, robustness and refined detail make it a good choice for body text in magazines and books. In that light, it would suit the fashion industry in brands or magazines.

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The Creative Boom 2023 Christmas gift guide for creatives

Creative Boom

Hanging Decorations by Wrap and various artists Don't feed the Amazon beast! And now we're back for 2023 with another bumper crop of amazing gift ideas from independent artists and shops. We've got a selection of quirky and beautiful gift ideas that will raise your present-buying above the generic and propel your imagination.

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F5: Jeff Staple Loves the Classics + the Contemporary Alike

Design Milk

2023 marks the 25th anniversary of Jeff founding STAPLE, the New York-based pioneering streetwear brand, with the now infamous “Pigeon” logo, and later experiential lifestyle boutique, REED SPACE in 2002. RAD We worked with Cole Haan to design a special-edition collection of shoes inspired by the iconic artist Keith Haring.

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Gotham Font History: From GQ to the Barack Obama Campaign

Tuts Plus

Gotham was initially commissioned by GQ magazine. Gotham in Use While it was developed for a specific use, GQ’s exclusive license expired in 2002, and Gotham was later released for public use. To support the campaign, street artist Shepard Fairey designed the “HOPE” poster. Who Designed Gotham?

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An Indigenous Film School in Ontario Goes to Venice

Azure Magazine

The institute was founded in 2002 by Dr. Shirley Cheechoo, a multi-award-winning Cree actor, artist and filmmaker who wrote, directed and starred in the 2001 film Bearwalker , the first dramatic feature film to be made by an Indigenous person in Canada.

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Bridging the Gap: Design Competitions and Public Preference in Architecture

Azure Magazine

Designed by Canadian architect Todd Saunders and Tommie Wilhelmsen, Norway’s striking Aurland Lookout was the winning project in an architecture competition initiated in 2002. The post Bridging the Gap: Design Competitions and Public Preference in Architecture appeared first on Azure Magazine.

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“The Architect’s Role Is to Imagine Where We Are Going.” In Conversation with Michele De Lucchi

Azure Magazine

His friendship with Sottsass led to a long-lasting partnership with Olivetti, where De Lucchi was the design director for 15 years, from 1988 to 2002. That was the time when artists no longer were concerned with producing works of art. Artists were trying to build a dialogue between society and art.