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'Storytelling and emotional connection matter more than aesthetics,' says illustrator Fangfang Han

Creative Boom

From digital painting to cut-paper stop-motion animation, this award-winning Chinese artist is passionate about creating visual narratives with energy, positivity, and a sense of life. My style has been shaped through years of experimentation – printmaking, collage, hand-drawing, stop-motion, digital painting – I've tried it all.

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How to paint in greyscale for powerful, moody digital art

Creative Bloq

Painting greyscale images forces you to take a different approach to your digital art process and, its usually much harder than painting in full colour. Nevertheless, I think there are two good reasons for giving painting in black and white a go. So how to approach painting in greyscale? Here’s how it works.

Digital 287
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The 20 illustrators inspiring us the most in 2025

Creative Boom

Her work is highly accessible and engaging, making complex topics approachable through visual storytelling. Beth Walrond Beth Walrond is a UK-born, Berlin-based illustrator who focuses on editorial, health, and cultural topics, bringing a signature warmth to her visual approach. She also enjoys teaching and mentoring.

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How to paint fabric and metal textures that bring clothing to life in digital art

Creative Bloq

Every object you paint has weight, texture and purpose, and capturing those qualities is the key to strong visual storytelling. Every object you paint has weight, texture and purpose, and capturing those qualities is the key to strong visual storytelling. Paint soft, curvy folds with the highlights at the top of each fold.

Textures 192
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How to paint believable environments for concept art using Photoshop and Blender

Creative Bloq

Painting an environment concept that feels like a believable place, no matter how outlandish the setting, often comes down to capturing these small details and placing yourself in the world. Make a note of these elements and make sure that they’re painted over, as they are just placeholders for your own details.

Photoshop 191
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From watercolours to Snakes with Legs: illustrator Beth Bennett on her work so far

Creative Boom

Still, Bennett explains how it taught her a lot about background painting techniques and encouraged her to experiment with different brushes. Before Snakes with Legs was even an idea, Bennett painted more traditional subjects in her childhood. Another goal of hers is designing packaging featuring Snakes with Legs.

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The eight things illustration agencies are looking for in 2025

Creative Boom

The variety within a portfolio shouldn't be stylistic; it needs to come from the application of a style to different topics, concepts and contexts. At the same time, we are also looking for artists who can work in real spaces with traditional techniques, such as mural paintings and installations, such as Michela Picchi and Marco Oggian.

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