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Fantasy Island shows Ireland from 70 photographers’ alternative perspectives

Its Nice That

Flicking through this book is like riding a screwball carousel, a kaleidoscopic history book that offers everything from black-and-white film photographs of punk movements, queer intimacy and nightlife, to ambient scenes that play with light, colour and shape.

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14 fonts to fall in love with: trending typefaces that designers adore

Creative Boom

As well as creating fonts, the foundry is committed to making Ohno a positive force in the graphic and type design community. NaN Tragedy Display, meanwhile, is a more compact and contrasted design, pushing finesse and character further for tight and impactful headlines. Morizot of NaN in text, italic and display styles.

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The best new typefaces for June from leading foundries and designers

Creative Boom

So dive into the latest offerings, and we hope you find the perfect font to elevate your design projects this June. It's been principally designed for typographers to craft extended text, book design, and publishing detail. Ravenscar The latest typeface from Jeremy Tankard, Ravenscar, is an old-face slab serif.

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Ekta: 160 Faces by Lundgren+Lindqvist

BP&O

Text by Richard Baird 160 Faces is a new publication from Swedish artist Daniel Götesson working under the name Ekta, designed by Lundgren+Lindqvist and distributed under the studio’s publishing arm ll’Editions. The post Ekta: 160 Faces by Lundgren+Lindqvist appeared first on BP&O - Branding, Packaging and Opinion.

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“Books remain stubbornly, thrillingly relevant”: the enduring value of book design

Design Week

The American Institute of Graphic Arts (AIGA) has been judging books by their covers for over 100 years. The annual competition was originally known as Fifty Books of the Year, and jurors focused on the “construction of the book and the printed page”, its current organiser Heather Strelecki tells Design Week.

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Design Case Study: Book Design for Oversharing My Selves with Shillington Teacher Annette Dennis

Shillington

Annette Dennis is a Shillington teacher in Melbourne, a graphic designer and art director who specialises in branding, visual identity and editorial design. Can you walk us through some of your process for the book design? I like to nail down size pretty early on, even if it’s rough.

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Top 20 Fonts That Will Be Popular with Designers in 2020

Shillington

Following its big launch in April, Helvetica Now by Monotype is undoubtedly 2019’s winner. Linotype’s Avenir Next Pro has been huge in 2019, and it’s a bestseller online, too. Throughout 2019, we’ve seen it pop up in many students’ projects. Helvetica Now. Avenir Next Pro. Formula Condensed.