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50 fonts that will be popular with designers in 2025

Creative Boom

It was designed in the summer of 2010 by Warsaw-based designer Ɓukasz Dziedzic ('lato' means summer in Polish) and has since been published under the open-source Open Font License. Published through Klim Type Foundry in 2019, it comes in eight weights with matching italics. The easiest way to use the latest 2.0

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Siege Magazine returns to champion a new era of artist-led collaboration

Creative Boom

When SiegeMag first appeared in 2017, it quietly disrupted the arts publishing world with a refreshing, inclusive ethos: "Artists Recommend Artists."

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The Fanta Logo History: What Every Rebrand Got Right & Wrong

Inkbot Design

📖 Reading Time: 5 minutes đŸ·ïž Categories: Design, Branding, Marketing 📅 Published: [DATE] The Fanta Logo History: What Every Rebrand Got Right & Wrong Most corporate rebrands are exercises in vanity, dressed up in marketing nonsense. Enter the “Cut-Out” Fanta Logo The result, launched in 2017, was a radical departure.

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Jack Sachs takes us through his new intro sequence for The Wonderfully Weird World Of Gumball

Its Nice That

He was also one of our Ones to Watch, back in 2017!) About the Author Paul Moore — Paul M (He/Him) is a Junior Writer at It’s Nice That since May 2025 as well as a published poet and short fiction writer. Since those fateful days, Jack has brought his joyous characters to projects for Apple, Nike Kids, Don’t Hug Me I’m Scared and P!nk,

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A designer’s bookshelf: 5 essential reads for creativity and insight

UX Collective

Futura: DieSchrift by Petra Eisele, Annette Ludwig e Isabel Naegele(2017) More than just a font, Futura has shaped visual culture , from advertising and modern architecture to the Moon landing. Laurence King Publishing. Ludwig, A. e Naegele, I. Futura: Die Schrift . Oh Sh t What Now? Honest Advice for New Graphic Designers*.

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“A dusting of love”: Matt Stetson creates mini portals to an almost utopian vision of the past

Its Nice That

My biggest influence would have to be my father, whom we lost in 2017,” says Matt. Nowadays, revivals of fashion trends and emerging internet aesthetics are flavoured primarily by the noughties and 2010s. But for Matt, staying true to his own personal history is important. “My

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Interview with Petr Kaplunovich, Director of Design at Stackpoint, ex-Google, MIT

UX Collective

Petr and I met around 2017 while working on the Google News team and worked together again recently at Stackpoint. Interview with Petr Kaplunovich, Director of Design at Stackpoint, ex-Google, MIT was originally published in UX Collective on Medium, where people are continuing the conversation by highlighting and responding to this story.