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Poster Cult: the latest works of Swiss printmaker Dafi Kühne

Creative Boom

One of Switzerland's foremost poster designers, Dafi Kühne, has been prolific in this space and has found a way to merge the traditional and the technical through his practice, embracing both traditional production methods and modern layouts.

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The Gillette Logo: Razor-Sharp Beginnings to Smooth Modern Design

Inkbot Design

A redesigned, more prominent “G” The arrow is still present but more integrated. Three short bars near the right side “The Gillette Company” text in a simple sans-serif font This dual-logo approach allowed Gillette to maintain its iconic wordmark while presenting a more corporate image when needed.

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State of the industry 2025: are freelancers surviving, or thriving?

Creative Boom

This worked for me in 2009-10 when times were equally bad." On the video production front, most of what I hear from colleagues and peers is pretty bleak, but not so for all. I've definitely seen a pretty big shift in the number of enquiries/people looking for presentation design support.

Freelance 356
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Your Brand is Lying: 12 Signs You Need a Rebrand Now

Inkbot Design

Their product was light years ahead of the competition. They were losing six-figure contracts to slicker-looking rivals who had inferior products. Every eco-friendly product uses green and a leaf motif. The infamous Tropicana packaging rebrand in 2009 is a classic cautionary tale. I once worked with a software firm.

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Sofia Pro Font Family by Mostardesign (Upgrade)

We And The Color

Launched initially in 2009 and then significantly refined in 2012, Sofia Pro quickly distinguished itself. Imagine rolling out a global campaign using Sofia Pro and having your branding look and feel cohesive, whether it’s presented in English, Russian, Greek, or Vietnamese. It had character.

Fonts 44
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Top 10 Best Shopify Web Design Agencies in the US

Inkbot Design

It's stitched together from real-world results, dev savvy, design taste, and the stuff that doesn’t show up on polished landing pages—like how well an agency handles chaos when a product drop doesn’t go as planned. They’ve worked with product catalogues, return logic, and bundle builders. Watch how they present case studies.

Agency 40
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Gretel's Dylan Mulvaney on city life, serendipity, and why graphic designers never get famous

Creative Boom

There were four full-time people when I started in 2009. Across the studio, we focus on collaborative work early in the week and heads down, individual work later in the week, with most of our client presentations scheduled for Fridays. For each project, we typically presented strategy and a single initial design direction together.