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Commercial Type releases visual journal Double Acts in Pop

Creative Boom

The double act in type design Barens and Schwartz have worked together since 2003, when they were paired up to draw a new set of typefaces for The Guardian. "We We knew each other a bit before but quickly bonded over shared interests, especially pop music," Schwartz reveals.

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Behold, the Ford logo we deserved (that got rejected)

Creative Bloq

Having not updated its logo since 2003, Ford is well overdue a new look, and while this sleek alternative design sadly never got to see the light of day, Id love to see it have its time to shine in the future. Every issue is packed with art and design inspiration Delivered to your IOS or Android device Never miss an issue From £9.99

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"You can't just be like, ‘we're going to change the world,'" Kwame Taylor-Hayford on how to create projects with social impact

Creative Bloq

I started in 2003/2004 and honestly, it felt like there was a lot of opportunity, a lot of disruption. TOPICS Graphic Design Rosie Hilder Social Links Navigation Deputy editor Rosie Hilder is Creative Bloqs Deputy Editor. How has the industry changed since you started working in it? I come more from advertising.

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Amazing Digital Illustrations by Graphic Designer Danilo Trbojevi

Graphic Design Junction

is a distinguished graphic designer at Nordeus, known for his innovative approach to game design. Danilo’s work at Nordeus highlights his commitment to innovation and quality, setting him apart in the competitive field of graphic design. Danilo Trbojevi? You can catch Danilo Trbojevi on Behance.

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Osch crafts warm and positive logo and branding for abuse charity Tender

Creative Boom

Let's be honest: most of the time, graphic design serves the fun and the frivolous. Launched in 2003, the charity was founded by Tamsin Larby, producer of The Vagina Monologues, whose experience in theatre revealed how performance could be used to engage people in the prevention of abuse. And there's nothing wrong with that.

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It's all in the eyes for A Practice for Everyday Life's identity for the 59th Venice Biennale

Creative Boom

With the 59th Venice Biennale well underway, our attention turns to the Italian exhibition's graphic identity for 2022. Crafted by A Practice for Everyday Life , the London studio founded by Kirsty Carter and Emma Thomas in 2003, it's inspired by Surrealism and represented by eyes, which can be seen dotted around the Venetian city.

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10+ Best Desktop Publishing Software (2023)

Just Creative

This enables you to share your content, fonts, and graphics across projects. This publishing application gives you the power to combine your text and graphics so you can present a very attractive page layout that is ready for publishing. It displays all the toolbars and menus available in the 2003 version.