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Special edition of LogoArchive zine solidifies Ukrainian identity through publishing

Creative Boom

And as well as recording the country's amazing logos, it also acts as a way to solidify Ukrainian identity through publishing. Limited to 300 copies, it features text written in Ukrainian and English plus 31 logos designed between 1960 and 2000 to tell the history of Ukrainian trademark design.

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Connor McCann on how creating grotesque comics has helped him process being alive

Creative Boom

It was practically coughing every time I printed something. I also have a soft spot for 2000's image comics guys like Ryan Ottley, Cory Walker, and Nate Bellegarde," he adds. "I That's if his comic God Bless The Machine is anything to go by, which is now in its third printing and amassing something of a cult audience.

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10+ Best Desktop Publishing Software (2023)

Just Creative

Discover the best desktop publishing software in 2023. Desktop publishing software is used to create visual communications, such as brochures, business cards, greeting cards, posters, web pages for professional or personal printing online or on-screen. Affinity Publisher Affinity Publisher. Learn More 2.

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The Evolving Legacy of Ken Garland’s First Things First Manifesto

Eye on Design

In the nearly 60 years since Garland self-published his broadside, the stakes for society and design have spiralled skywards. It took 35 years for the second version, First Things First 2000 , to appear, in fall 1999. Adbusters , Emigre and other magazines published dozens of letters for and against.

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Clarence Pearson Hornung

Logo Design Love

Clarence P Hornung ( 1899–1997 ) was an American printer, publisher, typographer, and designer of logos and trademarks. He designed for book publishers such as Encyclopedia Britannica, Vanguard Press, and the Book League of America. More details on Designers & Books , by Randall Ross of Modernism 101.

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Dot Dot Dot Is the Most Influential Design Magazine You’ve Never Heard Of

Eye on Design

asked the cover of the first issue of Dot Dot Dot , published in April 2000. This rigorous meta-analysis immediately inserted Dot Dot Dot into the lineage of design journalism and set the tone for its entire run of 20 issues which were released biannually from 2000 to 2010. Then I thought, why not?

Magazine 111
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A New Book Chronicles Shigeru Ban’s Distinctive and Innovative Architecture Over Four Decades

Colossal

In the publisher’s “XXL” format, experience Ban’s sweeping Japan Pavilion at Expo 2000 in Hanover, Germany, a colorful, translucent public restroom in Tokyo that turns opaque when in use, and a vaulted cathedral ceiling made of cardboard in New Zealand, among myriad other projects.