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50 fonts that will be popular with designers in 2025

Creative Boom

PP Editorial New by Pangram Pangram Designed by Mat Desjardins and Francesca Bolognini, this precise and elegant narrow serif typeface combines a retro mid-90s feel with a contemporary richness. The heavier weights feature exaggerated curves, adding personality to designs, especially when paired with its lush italics.

Fonts 540
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Download the 30+ Latest Free Fonts to Boost Your Creativity

Graphic Design Junction

These bold, eye-catching fonts are designed to grab attention and are perfect for large headings. Display fonts are often unique and experimental, making them perfect for creative designs that want to leave a lasting impression. Let’s make it work on every medium from magazine layouts to Instagram captions.

Fonts 269
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Richard Turley gives Air’s identity space to breathe through simplicity and parody

Its Nice That

Words Paul Moore — Date 16 July 2025 Work Creative Industry Product Design Web Design Identity App Branding We can all sniff out a pretentious rebrand. Sometimes the really intelligent design choices happen right in front of you whilst you’re too busy looking for the ulterior motive.

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100+ Best Big, Poster Fonts of 2025

Design Shack

This font is ideal for book or magazine text, logos, branding purposes, photography captions, and more. Kage – Elegant Serif Poster Font Kage is an elegant serif font you can use to design big headings and poster titles for modern design projects. It also looks great on T-shirt designs and product labels as well.

Fonts 106
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Inclusive Sans expands upon Penguin’s history with playfulness and curiosity

Its Nice That

Gallery Penguin Inclusive Sans (Copyright © Olivia King 2025) The Latest View more from Creative Industry Graphic Design Map Project Office’s rebrand brings human clarity to the world of industrial design POV: What if I don’t sound like a design founder?

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What’s On Our Agenda for 3daysofdesign 2025

Azure Magazine

The Australian rugmaker will present its Agra Forma collection, originally launched at Melbourne Design Week, which gives sitting on the floor a whole new meaning. Working with Australian industrial designer Tom Fereday, Armadillo’s rich material exploration has resulted in a weird and wonderful hybrid between carpet and furniture.

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Collage, courage and craft: Ionut Radulescu on identity, imperfection and the power of visual storytelling

Creative Boom

Originally trained in industrial design at the Marin Sorescu Art High School in Craiova, Ionut later studied graphic arts at the National Art and Design University in Bucharest, where he would go on to co-teach illustration and lettering classes alongside professor Stela Lie. But for Ionut, the tools are secondary.