How Three Designers Created the Rosart Project, a Typeface Revival and a Labor of Love
Eye on Design
DECEMBER 14, 2021
When Walda Verbaenen, Michel Paré, and Lukas Schneider met as classmates among a diverse international group of six students at Antwerp’s Plantin Institute of Typography in 2015, they had no inkling that an intensive, multi-year typographical adventure lay ahead of them post-graduation. Their collaboration started when an in-class exercise led to a shared fascination with the typefaces of Jacques-François Rosart, one of the most important 18th-century punchcutters in the Netherlands. .
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