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A French “Truck Museum” Travels the World in Style

Azure Magazine

Even for modern art-lovers in major cities, it can be difficult to find the time to visit an exhibition. The first iteration of the traveling exhibition was spearheaded by architect Adam Kalkin — and built from a humble shipping container. Last year, the program included two 2023 exhibitions: “Musique!

Travel 94
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Dot Dot Dot Is the Most Influential Design Magazine You’ve Never Heard Of

Eye on Design

“Why another graphic design magazine?” And so begins this new magazine founded by graphic designers Peter Bil’ak, Stuart Bertollotti-Bailey, and Jürgen X. In 2005, Poynor described Dot Dot Dot as “the most stimulating and original visual culture magazine produced by designers since Emigre’s heyday in the late 1980s to the mid-1990s.”

Magazine 111
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F5: Jiminie Ha’s Book Plans, the Furniture That Changed Her Life + More

Design Milk

“That internship turned into a full-time job, and led to study at Yale School of Art’s three year graphic design MFA program. Going Dark exhibition visual identity at Guggenheim Museum, curated by Ashley James. Dazed Korea, 2017 Concept and art direction for Venus in Drapes, story shot by Catherine Servel.

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Andrew Satake Blauvelt Elevated Graphic Design Far Beyond Notions of “Problem Solving”

Eye on Design

was published in Emigre magazine alongside a body of other writing on the notion of “design authorship.” As an undergraduate, he was exposed to a rare-at-the-time design program that wasn’t simply commerce-focused, but also incorporated the history and theory of graphic design.

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Kornets Hus Shines a Light on Denmark’s Agricultural Tradition

Azure Magazine

Seeking to shed light on this lesser-known aspect of Danish heritage, the Kornets Hus foundation hosted a competition in 2017 for a new cultural and education centre in the Jutland region. The more private teaching and exhibition programs are located at each end.

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5 Indigenous Designers Breaking New Ground

Azure Magazine

Among its many notable features is a sprawling exhibition, conceived in part by an emerging Inuk designer, that takes cues from the richness of life in the Far North. A similar approach is evident in her most recent project, with Florence Yee and Arezu Salamzadeh, for the digital exhibition “Exchange Piece.” PHOTO: David Hale.

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“I Design the Conditions of Possibility”: A Conversation with Dori Tunstall

Azure Magazine

We’ve doubled the number of Asian and South Asian faculty in some of our programs. Maya Desai, in our Environmental Design program, is the first racialized woman to serve as a Chair. Howard Monroe is the first Indigenous person to serve as a Chair in the Industrial Design program. It must be rewarding to see those shifts happen.