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Amazing Photographs Capture Everyday Life in Spanish Harlem in the Mid-1980s

Design You Trust

Rodriguez went on to work for Black Star photo agency, and print and online news organizations like National Geographic, The New York Times Magazine, Mother Jones, Newsweek, Esquire, Stern, and New America Media.

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F5: Jeff Staple Loves the Classics + the Contemporary Alike

Design Milk

2023 marks the 25th anniversary of Jeff founding STAPLE, the New York-based pioneering streetwear brand, with the now infamous “Pigeon” logo, and later experiential lifestyle boutique, REED SPACE in 2002. Champion Craft Series One of my favorite projects the agency has worked on is the Champion Craft Series.

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20 Years Since Shillington Sydney: Jeremy Somers, Founder and Creative Director of We Are Handsome

Shillington

From working in one of the first digital agencies in Australia after graduation, he now works as the Creative Director and Founder of fashion label We Are Handsome —worn by the likes of Beyoncé and Rihanna. Back in 2002(ish?) I started off freelancing in Sydney and ended up working in some of the first digital agencies in Australia.

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Critical Info: The Story Behind Building a Government COVID-19 Website

Speckyboy Design Magazine

Imagine the excitement of landing a web design job at a government agency. I built my first website as a bored teenager in 1998 and learned Dreamweaver in college in 2002. My role was to be the lead front-end developer for the Government Information Center, Delaware’s internal marketing agency located in the Department of State.

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The Creative Boom 2023 Christmas gift guide for creatives

Creative Boom

Grumpy Ant plush toy by Aysha Tengiz Diana F+ CMYK by Lomography Felt hanging decorations by Wrap and various artists Built upon creative collaborations with designers, illustrators and artists, Wrap started life in 2010 as a magazine and now includes a stationery and product range, online shop and editorial content in print and digital.

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Bridging the Gap: Design Competitions and Public Preference in Architecture

Azure Magazine

This is a reality to architectural practice that is far removed from the idealism of university studio: Developers, government agencies, and private owners often percieve architects as an added cost — rather than seeing them as added value. This environment can wear down even the most enthusiastic and optimistic architect.

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WipEout Logo History 1995-2017, Making of the Wipeout Logo Design Plus Various In-game Graphics by Designers Republic and Fans

Logo Smith

The Typeface Agency. The Typeface Agency has a great article: “On how the Designers Republic sculpted childhoods” which looks at the impact the branding and audio aspects of Wipeout had on making this game such a phenomenal success; it’s well worth a read. Wipeout Fusion – 2002. This font costs £10.00

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