2001 Exhibition Print 
Design Milk
JULY 16, 2024
This impact is so significant that Swiss furniture company Vitra has dedicated a year-long exhibition titled Science Fiction Design: From Space Age to Metaverse to explore this intersection of design and science fiction. Science fiction has had an immense influence on the arts, including literature, cinema, graphic arts, and design.
Creative Boom
JUNE 21, 2022
Alongside freelancing as a designer and illustrator, she also runs a printed fashion brand, which aims to inject an element of joy into getting dressed in the morning. Her latest collection features paintbox-bright prints inspired by a very 90s childhood. McIndoe Design by Maddy McIndoe. Lucy & Yak.
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Colossal
APRIL 30, 2025
“ Barry McGee lives in San Franciscohe was born there and he lives there,” critic and curator Richard Leydier opens in an essay accompanying the artist’s current solo exhibition, I’m Listening, at Perrotin. “I focus on everything that is shitty on our little planet right now,” McGee says.
Design You Trust
APRIL 22, 2021
After successfully finishing his studies in communication design, the member of the Art Directors Club worked as Creative Director and Art Director for several design and animation studios from 2001 up until 2009. Since 2009, he starting out as a self-employed creative in the fields of print and interactive and motion media.
Creative Review
OCTOBER 19, 2021
It displays prints alongside proofs and photo books – of which Gill has published many over the course of his three-decade career. ” From Hackney Wick, 2001-2005 From Night Procession, 2014-2017 Coming Up For Air is on display at Arnolfini in Bristol until 16 January, 2022; arnolfini.org.uk.
Design Week
JANUARY 29, 2020
The annual competition was originally known as Fifty Books of the Year, and jurors focused on the “construction of the book and the printed page”, its current organiser Heather Strelecki tells Design Week. Salutations 1995, by Walter Hamady and John Wilde (2001). As book production expanded, so did the AIGA’s outlook.
Inkbot Design
JANUARY 10, 2024
The fluid serifs and sturdy letterforms allow Times New Roman to be readable in print. Jones is often preferred for clarity on screens and modern printing presses. Archer HCI editor Matthew Carter designed this efficient slab serif family in 2001 for media conglomerate Martha Stewart Living Omnimedia exclusive use.
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