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I covered it a bunch, through the late 70’s, into the 80’s and 90’s, on film, and thence into the 2000’s and the digital era. ” The massive wave of runners coming at your lens, be it wide or long, has innate graphic impact, with shadows and patterns galore. Onto digital.
Things like rounded, bloated typefaces, hyper digital elements like metallics, gloss, mirror and 3-D, as well as implied tech elements like loading bars and rendered buttons,” said Jane McFarlane, the brand director of creative agency The Digital Fairy. The Y2K aesthetic characterized the end of the millennium. and approach 3.0
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If you listened to episode 180 of The Big Web Show , you heard two key themes: 1) personalization is now woven into much of the fabric of our digital technology, and 2) designers need to be much more involved in its creation and deployment. Digital Experience Platforms. SIC and NASIC Codes. Machine Learning.
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The neural basis of romantic love , 2000 ; Gold, Shadlen The Neural Basis of Decision Making , 2007) So, our brain isn’t just observing beauty; it’s creating a full, rich experience that’s tied to our emotions and personal tastes. Use consistent patterns and shapes to create symmetry. Arnheim, Rudolf. “
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