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Studio Dumbar/DEPT® Based in Rotterdam, Studio Dumbar/DEPT® is widely recognised for its influential work in visual branding and identity, often incorporating creative coding and sound, for clients such as the Dutch Railways, Instagram, and the Van Gogh Museum. Read more about the project here.
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Uphoria was a last-minute addition to a client's website, and it transformed the overall design, making it feel fresh and inviting. 24 – Source Code Pro – Designed Specifically for Programmers Source Code Pro is a must-try for all you tech lovers out there. There's nothing like clarity when you're trying to debug!
Color & Typography: The “Brand Color” pages allow you to define your primary and secondary color palettes with specific CMYK, RGB, and Hex codes. Freelance Designers: You can save countless hours and deliver a highly professional, comprehensive brand identity kit to your clients, increasing your value and efficiency.
Through my work with diverse clients, I've discovered that a well-crafted brand identity can increase customer loyalty by up to 40%. You'll learn proven strategies that have helped my clients stand out in their industries, and I'll share real-world examples as a success story. I've witnessed this firsthand with my clients.
If you manage bookings or client scheduling, automation tools like Trafft and Amelia can eliminate repetitive tasks. Time-Saving Automation: Trafft and Amelia automate appointment bookings, while WhatFontis quickly identifies fonts, saving designers hours of searching. Client Feedback: “ I love how simple Brizy is to use.
Instead of using clunky spreadsheets or complicated Gantt charts, you can map out your entire project timeline using shapes, arrows, and color-coded sections. Client Presentations and Workshops Whiteboards aren’t just for internal work; they can be used as interactive tools during client presentations or strategy workshops.
If your new digital home is filled with heavy images, messy code, or unnecessary animations, it might look good but load slowly, and that can push your rankings down. And then theres poor code structure. For example, ‘Get a Free Quote,’ ‘Book a Demo,’ or ‘Start Your Trial.’ Update a form?
He is a recognized leader in the world of AI-generated art, and has created work in various media for clients including The New Yorker, The New York Times, Vogue Magazine, Dazed, Prada, Gucci, Marni, Acne, Hermes, Vivienne Westwood, and Stella McCartney.
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The few interactive elements (like contact forms, guest books, and counters) were mostly powered by CGI scripts (predominantly written in Perl at the time). Crufty code littered with table layouts and font tags waned, and a push for web standards waxed. Achieving any kind of unique look involved a pile of hacks all the way down.
After leaving a 15-year career as a commercial illustrator, he launched a Kickstarter to fund a book about his Hate Mail project – a series of rude hand-illustrated postcards sent to (consenting) strangers. It felt like wed gone up against the industry and proved you dont need to have a book published in a traditional way.
But it’s also in the napkin sketches, the half-finished boards, the 70 saved tabs, the forgotten screenshots, the conflicting client requests, the second-guessing, and the paradox of choice. The lighting and flooring does not pass code. Managing clients and teams collaboration and inputs. Full of discards and deviations.
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They also run courses on live illustration, picture books, and the business side of illustration. He describes himself as a visual development artist, character designer, and illustrator, name-dropping clients such as Disney, DreamWorks, and Sony Pictures Animation. o(n.status)?t(r("Request t,{A:()=>o}),751!=n.j)var
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Logo Lounge is the most respected and best-selling logo design book series in the world and I’m happy to share that 5 logos of mine were selected to be published in the upcoming Logo Lounge Volume 12, which is my 10th consecutive Logo Lounge book feature. This marks my 58th logo published in their amazing book series.
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Together with our wonderful rag-tag team of collaborators, crew and clients, we explore the relationship type has with code and technology – delivering projects with purpose," they say. The company's main goal is to value font creators and to better distribute the revenue share of the objects, books and fonts they produce and publish.
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