Fonts in Use

MARCH 21, 2018

Contributed by Florian Hardwig Fonts In Use launched in December 2010 , initially as a blog. In July 2012, we introduced the Collection , a much larger archive of typographic design open to public contributions. 1,000 Uses: September 2012. 1,000 Uses: September 2012. License: All Rights Reserved. Thank you, all.

Fonts 43

Fonts Publication Typography Travel 43

Inkbot Design

FEBRUARY 18, 2024

billion (2012) Old Spice 2008 $10 million Sales doubled (2009) Airbnb 2014 $100 million Revenue tripled (2017) Pepsi 2008 $1.2 Graphic icons give way to strategic custom typography that defines your brand name. The right font can bring tons of personality and a robust, ownable asset. billion $1.9 billion $1.6 Not so fast!

Brand 90

Brand Branding Fonts Digital 90

Inkbot Design

AUGUST 8, 2023

Both budding designers and experienced creatives can use these resources to master shape, colour, typography, and composition. Roger (Author) Multilingual (Publication Language) 432 Pages – 11/08/2015 (Publication Date) – Taschen America Llc (Publisher) −$17.90 $62.10

Arts and Crafts 83

Arts and Crafts Publication Brand Branding 83

Type room

DECEMBER 5, 2019

After the company's closure in 2012 Willey relocated to New York for more adventures in type and design. “In In his editorial design, Willey combines strong typography and photography to create powerful settings for the content at hand” notes Pentagram. . Explore more of Matt Willey's instinctively visual brilliance here.

Arts and Crafts 90

Arts and Crafts Magazine Fonts Graphic Design 90

The Branding Journal

MARCH 1, 2023

Throughout the decade, the company went public. Fonts Although today’s logo features no text, the bold letters that have appeared for over 20 years are still easily recognizable. Sodo-Sans Black” was the custom-designed font for the company. link] Typography | Starbucks Creative Expression. stores 2018 | Statistic.

Brand 59

Brand Branding Fonts Color 59

Canny

DECEMBER 20, 2022

The big curvy typography is still there, so is the colour palette. I first ran into the Mailchimp brand back in 2012 when they released their very first public annual report, causing a huge buzz in the marketing world. Gone is the awful typography. They rolled out animations like the below: [link].

Brand 88

Brand Branding Marketing Marketing 88

Just Creative

MARCH 29, 2023

The main feature of this software is multilingual support, the advanced management of OpenType fonts, the capacity to manage transparent effects, and its capability to integrate with the other products offered by Adobe Systems. This enables you to share your content, fonts, and graphics across projects. Pros Cons Available for free.

Publishing 286

Publishing Publishing Adobe Layout 286

Shillington

SEPTEMBER 14, 2020

This unprecedented publication, authored by Jens Müller, brings together approximately 6,000 trademarks, focused on the period 1940–1980, to examine how modernist attitudes and imperatives gave birth to corporate identity. Why Fonts Matter by Sarah Hyndman. Type: New Perspectives in Typography by Scott Williams. Buy the book.

Graphic Design 119

Graphic Design Graphic Arts and Crafts Print 119

UX Collective

DECEMBER 2, 2021

Several designers answering a questionnaire I posted online said the aesthetics of interfaces can be defined by “ Colors, Typography, Icons… “. It is explored by researchers by varying typographies and colors in experimental tests of printed information perception (Alter and Oppenheimer). Image in public domain.

Color 125

Color Internet and Software Development Production Art 125

Inkbot Design

SEPTEMBER 6, 2023

Their logo consists of a stylised wordmark in a custom sans-serif font, with a distinctive feature—the letter “A” designed to resemble the shape of a heart and the “B” forming a speech bubble. It typically features bold, stylised typography with a vibrant colour palette that conveys energy and innovation.

Internet and Software Development 92

Internet and Software Development Fonts Manufacturing Sports 92

UX Collective

SEPTEMBER 2, 2021

It’s hard to imagine the Olympic Games now without thinking of the logos that have become to define them and the designer’s responsible for them such as Lance Wyman ’s Mexico 1968, Otl Aicher ’s Munich 1972, Josep Maria Trias ’ Barcelona 1992, Wolf Ollins ’ London 2012 or Fred Gelli ’s Rio 2016. link] Why Are Olympic Logos So Hard to Design?

Sports 125

Sports Exhibition Architecture Fonts 125

The Logo Smith

FEBRUARY 17, 2020

The Designers Republics groundbreaking work on the graphic design for Wipeout, which included everything from packaging to typographic selection in the game menus, has been noticed by many design and gaming publications over the years since the very first Wipeout. Wipeout 2048 – 2012. Wipeout Free Font by Paul Willocks.

Graphic 130

Graphic Arts and Crafts Fonts Graphic Design 130

Inkbot Design

SEPTEMBER 5, 2023

Peter Levitan (Author) English (Publication Language) 266 Pages – 08/28/2014 (Publication Date) – Peter Levitan (Publisher) $10.25 Use the same colour palette, typography, and graphical style for a professional look. Use minimal text, clean layouts, strategic use of negative space, and bold, readable fonts.

Arts and Crafts 78

Arts and Crafts Presentation Client Publication 78

Template Monster

MAY 3, 2023

2012 - Updated Media Manager and Theme Customizer and Previewer Theme customizer was implemented, by the next generation 3.4 Clean typography was expressed by the Open Sans font. 2014 - Google’s Noto font family December 2014 - edition 4.1 Twenty Fifteen uses Google Web Fonts Noto Sans and Noto Serif.

Internet and Software Development 98

Internet and Software Development Theme Coding Media 98

Logo Smith

MAY 17, 2021

The Designers Republics groundbreaking work on the graphic design for Wipeout, which included everything from packaging to typographic selection in the game menus, has been noticed by many design and gaming publications over the years since the very first Wipeout. Wipeout 2048 – 2012. Wipeout 2048 – 2012.

Graphic 121

Graphic Arts and Crafts Fonts Graphic Design 121

Fonts by Hoefler&Co.

MARCH 4, 2020

We’re grateful to have again worked with Matt Ipcar and his team at Blue State Digital, with whom we collaborated on the Obama-Biden 2012 logo , and to have been afforded the chance to contribute to a campaign of ideas from an extraordinary thinker and leader. —JH.

Typography 40

Typography Publication Digital 40

Logo Smith

JANUARY 18, 2023

The Designers Republics groundbreaking work on the graphic design for Wipeout, which included everything from packaging to typographic selection in the game menus, has been noticed by many design and gaming publications over the years since the very first Wipeout. Wipeout 2048 – 2012. Wipeout 2048 – 2012.

Graphic 52

Graphic Arts and Crafts Fonts Graphic Design 52

Fonts in Use

OCTOBER 6, 2022

But because of the popularization of the means of typographic production – with the introduction of dry transfer lettering, phototypesetting, and offset printing – several independent, mostly anarchist publications also sprang up. Πόλη Many other publications followed a more pronounced DIY approach.

Magazine 36

Magazine Publication Graphic Design Graphic 36

Shillington

SEPTEMBER 22, 2022

This unprecedented publication, authored by Jens Müller, brings together approximately 6,000 trademarks, focused on the period 1940–1980, to examine how modernist attitudes and imperatives gave birth to corporate identity. Typography fan? Why Fonts Matter by Sarah Hyndman. Type: New Perspectives in Typography by Scott Williams.

Graphic Design 140

Graphic Design Graphic Arts and Crafts Publishing 140

crowdspring

JANUARY 30, 2019

Instead, smart companies are intentional and public about their mission and values, among other things. After years of bad publicity and court battles, the company was in dire need of an image makeover. Thriving businesses know this and regularly rely on good design to create influential and impressive brand identities and brands.

Brand 43

Brand Branding Travel Marketing 43

Shillington

JUNE 14, 2021

Fuerte and her team at Hey work across art direction, branding, packaging, campaign, illustration, print, typography and digital. Custom typography and illustration became the name of the game and she soon started her own specialist studio working in editorial, lifestyle, food and fashion brands. Dreamy stuff. Isabel Urbina Peña.

Graphic Design 145

Graphic Design Graphic Arts and Crafts Illustration 145