2008 Gallery Presentation 
Creative Boom
JANUARY 3, 2024
Photography by Kate Shanasy The Paris-based artist brings an intimate experience of colourful ocean life, inner coral reefs and natural wonders to the National Gallery of Victoria for their latest Triennial. He graduated from Central Saint Martins in 2008 and the Royal College of Art in 2010. whatever your age. whatever your age.
Creative Boom
SEPTEMBER 2, 2022
Courtesy of John Marchant Gallery. Courtesy the artist and Stephen Friedman Gallery, London. It traces an unsettling path through to the global financial crisis of 2008, at the dawn of a digital age of faceless audiences and invisible cyber wars. Jamie Reid, Monster On a Nice Roof, 1972. © Jamie Reid. © Harminder Judge.
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Creative Boom
FEBRUARY 11, 2024
Saul Leiter: The Centennial Retrospective presents the full spectrum of his artistic output for the first time, including rare and previously unpublished material. Erb first met Leiter in the mid-1990s when she worked at the Howard Greenberg Gallery in New York, which represented the artist and remains his US dealer to this day. "He
Colossal
SEPTEMBER 10, 2024
Around 2008, when he was painting graffiti, he began experimenting with different techniques and tools—a readymade paintbrush or spray can only accomplish so much. For Thomas Tru m , the methods artists use to apply a medium to a substrate is as much a source of fascination as the finished work.
Colossal
SEPTEMBER 10, 2024
Around 2008, when he was painting graffiti, he began experimenting with different techniques and tools—a readymade paintbrush or spray can only accomplish so much. “The thing I like most about humans is how they constantly strive to improve efficiency in everything they do,” Trum tells Colossal.
Colossal
MAY 8, 2024
It’s also an apt title for a poetic exhibition of sculptures blending beastly and botanical forms by the late Claude (1925-2019) and François-Xavier Lalanne (1927-2008). Having worked as a guard in the Egyptian and Assyrian galleries of the Louvre, the artist often referenced ancient mythology and hybridity in his figures.
Azure Magazine
MARCH 5, 2024
The inviting serpentine entrance evokes the surrounding Tokyo Bay and nearby mountains, while many of the galleries are underground, providing those who approach with a clear, undisturbed visual experience of the natural geography. Fussa City Hall, 2008, Tokyo, Japan. I sat in between,” he recalls. PHOTO: Tomio Ohashi.
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