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It's all in the eyes for A Practice for Everyday Life's identity for the 59th Venice Biennale

Creative Boom

With the 59th Venice Biennale well underway, our attention turns to the Italian exhibition's graphic identity for 2022. Crafted by A Practice for Everyday Life , the London studio founded by Kirsty Carter and Emma Thomas in 2003, it's inspired by Surrealism and represented by eyes, which can be seen dotted around the Venetian city.

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Colorful Illustrations by Jose Elgueta

Design You Trust

He started in the year 2003 painting murals by himself and in collaboration with other artists. Throughout his self-guided journey he has participated in various art exhibitions, with both digital and physical paintings, which has provided him the experience needed to earn his place in the contemporary art world.

Color 59
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15 great places for graphic designers to work in 2022

Creative Boom

Founded in 2005 by Peter Donohoe and Paul Reardon, Peter & Paul is an open and collaborative studio producing multidisciplinary design, branding and strategy for the physical and digital world. Wash opened its studio doors in 2003 and has become one of the North West's most respected creative studios. Spotify, London.

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Andrew Satake Blauvelt Elevated Graphic Design Far Beyond Notions of “Problem Solving”

Eye on Design

“Graphic design must be seen as a discipline capable of generating meaning on its own terms without undue reliance on commissions, prescriptive social functions, or specific media or styles,” wrote designer, curator, and writer Andrew Satake Blauvelt in 2003. . Exhibition Design: Andrew Blauvel. Graphic Design: Now in Production.

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Women’s History Month–Worldview Purveyors

Thinking Design

In 2013 the California Museum held a year-long exhibition which showcased Ray’s life’s work, including solo work from before her collaborations. In 2003 she transformed the brand by expanding into other markets, introducing shoes, handbags, jewelry, and swimsuits to her collections. Learn more * * * * * * * * *

Fashion 52
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Berthe

Typographica

On September 24, 2003, Chris Anemone asked on Typophile : “What typeface is used for that paragraph, Hrant, do you know?” That question begot a glance, then a perusal, then an abyme into the world of Deberny (notably before the merger with Peignot) and then a very long wait until Berthe , the first digital revival of that Série ?

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Embracing simplicity

UX Collective

A very short rant on creating digital experiences that use simplicity to provide an incredible experience. This amazingly executed simplicity is more often than not missed or ignored when we create digital experiences. His designs exhibited the simple use of typography, layout, contrast, etc. But why is that?