Mike Nelson on his sensory new survey, scavenging objects and simulating reality
Creative Boom
MARCH 2, 2023
It's equally eerie and risky, with large-scale activations that feel incredibly topical. Installation view, British Pavilion, 54th Venice Biennale, Venice, 2011. Yet there isn't much signposting throughout the exhibition, allowing Nelson to put the onus for meaning onto the viewer and remove himself from commentary.
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