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Illustrator Hazel Mead's debut book is here, and this is why we should be talking about it

Creative Boom

Illustrator and social media sensation Hazel Mead has made her publication debut with Why Aren't We Talking About This?! , London-based illustrator and Coventry University graduate Hazel Mead is no stranger to tackling the peculiarities of life that often leave people confused.

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SONY - PLAYSTATION MEDIA KIT on the Behance Network #branding #print #design #book #illustration #sony #special #finishes

Designspiration

Discover more of the best Packaging, Books, Print, Book Design, and Illustrations inspiration on Designspiration Saved by Jonny Costello (@adultartclub).

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New and expanded Malika Favre monograph is a minimalist marvel

Creative Boom

French illustrator and graphic designer Malika Favre has been impressing audiences for years with her minimalist work for publications such as The New Yorker, Vogue, and Vanity Fair. You only have to look at her social media platforms to find it representing her presence.

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Leah Jacobs-Gordon on the artistry of book cover design

Creative Boom

The illustrator behind a series of best-selling books explains how she sums up the story and grabs the reader's attention. We all know the old saying, "Don't judge a book by its cover". Her foray into book cover design began somewhat serendipitously. But let's face it, in reality… we so do.

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Design Case Study: Book Design for Oversharing My Selves with Shillington Teacher Annette Dennis

Shillington

For those of you keen to explore editorial design and print production, in this case study Annette offers invaluable insights into the process from start to finish. I relocated to Melbourne at the end of last year and currently have a couple of books in the pipeline, for clients in Barcelona, Austin and Melbourne.

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Rafael Medeiros on enduring the Hollywood strikes as a freelance graphic designer

Creative Boom

Having built much of his career designing creative marketing for movies and TV series, from digital and social media campaigns to one-sheets and OOH, this has posed a big problem. "As That's when I started shifting my work from prints, book designs and brand identities to key visuals to promote a certain play or show," he continues. "I

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David Pearson: “We can be braver with book design in the UK”

Design Week

. “The Great Ideas series was always about trying to make each book as different as possible,” he says, adding that the first step for every stage of the collection was to set parameters and limits. “Book design is at its most fun when you’ve got something to kick against.”