2050 Art Inspiration 
Design You Trust
MAY 9, 2021
Omar Aqil is an illustrator & art director based in Lahore, Pakistan. With this new series titled: ‘Self-Portraits 2050’, we follow Omar through this experimental journey and I totally dig them. It’s playful, filled with details and easter eggs of some sort.
Design Milk
NOVEMBER 9, 2023
Photo: Katie Treggiden The Index Collection is a series of tea towels and blankets, made from merino wool and organic cotton, inspired by the weaving process – each series follows the same process as the “index” translates the amount of color within each surface, using squares representing 10% to 100%.
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Azure Magazine
NOVEMBER 19, 2020
After releasing the three shortlisted entries in mid September following an international competition, The Art Gallery of Nova Scotia has selected a winning concept for its bold new complex on the Salter Block of Halifax’s waterfront. We want people to experience art in a great setting,” Kuwabara adds. Quite simply, it’s breathtaking.
Design Week
JULY 31, 2020
Around 8bn metric tonnes of plastic has been created worldwide – with a projected figure of 34bn by 2050 – and much of the material is single-use. The visuals’ tones have been inspired by neons and bright plastic colours – the details are almost like Pop Art, How adds.
Mindsparkle Mag
NOVEMBER 3, 2021
The edition includes both; artworks made just for art's sake and others following a creative brief for a larger project. All in all, we're super happy about the curated projects and we believe it's a great, inspirational gift we make for you from the deepest of our hearts for this amazing design community. Illustration by Airing Nahar.
Feature Shoot
APRIL 17, 2023
billion tons of greenhouse gas emissions by 2050. ” The artist first noticed the ubiquity of single-use plastics while walking through the desert in Coachella Valley to see the Desert X art exhibition. According to estimates, plastic production and incineration could account for 2.8
Azure Magazine
SEPTEMBER 3, 2024
If we believe the Toronto of 2050 will be a better place than the Toronto of 1950, why does our design culture so often seem to convey the opposite idea? Belying the imposing scope, the public realm is artfully broken down into a network of nooks and crannies — punctuated by larger shared space and framed by a collage of forms and textures.
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