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Intricate Beaded Motifs Add Colorful Dimension to Jan Huling’s Animal Sculptures

Colossal

” Each embellishment is a study of color, texture, and form, with some patterns structuring facial features like the radiant eyes of the nine-foot “Das Bug” and others adding hypnotic ornaments like the intersecting patches that span the length of the tail in “KoKo.”

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Dive Into the Dallas Art Scene: 5 Artists Not to Miss at The Other Art Fair

Colossal

Since its inception in 2011, The Other Art Fair has made its mark on the art scene with its independent artist-led approach, spanning over 80 editions across the globe. and European juried shows, grace galleries worldwide. Her works, acclaimed in U.S.

Art 81
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AZ Awards 2024: A Look Back at 13 Years of Design Excellence

Azure Magazine

When the inaugural cohort of AZ Awards winners was announced in 2011, it marked a watershed for Canadian design. The careful interplay of textures and materials creates a warm and cohesive space — one that resolves the aesthetic dichotomy between Art Deco flourishes and raw concrete walls.

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The 10 Interior Designs that Defined the Decade

Azure Magazine

Pump Room by Yabu Pushelberg, 2011. Gallery at Sketch by India Mahdavi, 2014. The earthy palette was continued throughout the space, with sisal wallcoverings that provide a textural backdrop to the brick; smooth concrete counters that top the display units and sink; and low-slung timber benches that invite visitors to linger.

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“An entity unto itself”: A New York design guide

Design Week

“On the West Coast, which is more entertainment based, there’s effect and depth and texture. Order created a new design system for the gallery. ” It started with one even in Manhattan in 2011, and in 2013 the event moved to Brooklyn in conjunction with an official design week by the city, NYCxDESIGN.

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Thirty hypotheses on interface aesthetics

UX Collective

Anton Nikolov listed the sensory qualities that different types of products could have: color, shape, texture, movement. In most cases, this likelihood comes from 3D models, textures, lighting, post-production effects, and more generally graphics engines. Serpentine Galleries , [link]. temperature, vibration… (Nikolov).

Color 131
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New Crafts Council gallery space aims to be the “home of craft”

Design Week

The Crafts Council has announced the opening of a new gallery space which it hopes will act as a home for UK craft. L-R: Low Table by Fabien Cappello 2011 and Coffee Pot by Carol McNicoll, 1991 “Craft is such a tactile thing” The new gallery marks the Crafts Council’s first physical space in more than 14 years.

Gallery 66