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For one week only: access the CR archive for free!

Creative Review

Opening spread of the first ever CR Annual issue in April 2003 Cover of the 2021 CR Annual The archive can also be a good place to follow the wider trends that have emerged over the years, as the industry has grabbled with questions of diversity and inclusion, as well as its complex relationship with clients. Access the CR Archive.

Client 89
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Pantone Matching System: A Guide for Designers

Inkbot Design

But the truth is that your clients can become frustrated and confused when they see the colour of the logo and font on your client website look different from that of their email signature, social media banner, or even their call to action button. It registers what kind of emotion it makes me feel.

Print 98
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Jamstack CMS: The Past, The Present and The Future

Smashing Magazine Graphics

I remember the struggle of getting my FTP configuration exactly correct in Dreamweaver for the free, advertising-ridden hosting I’d found. In the 2000s we had a showdown of two popular blog publishing platforms — MovableType in 2001 and WordPress in 2003. Client websites. But, when it worked, it was magical.

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How to Generate Leads on LinkedIn: Comprehensive Guide

Inkbot Design

When LinkedIn first launched in 2003, it was envisioned as an online network for professionals to connect and build relationships. Optimising Your LinkedIn Profile for Lead Generation Your LinkedIn profile is your digital resume and first impression to connect with potential clients, partners, and employers.

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Sonic Branding: Creating Memorable Soundscapes

Inkbot Design

The strategic implementation of sound in various settings, such as retail environments or advertising campaigns , can significantly influence consumer behaviour. On the other hand, Jingles are catchy tunes or songs often used in advertising to reinforce brand messages and increase brand recall.

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Why type should be as simple as art buying

Creative Review

When I started out in 2003, we were told repeatedly that the digital era would revolutionise things. Larger clients will probably pay a bit more. In advertising, for instance, it doesn’t make sense to pay five or even six figures for a worldwide font licence across all media if you only need the font for one campaign.

Art 56
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21 Famous Graphic Designers That Anyone in the Design Industry Needs to Know in 2023

Shillington

He was the art director of Ray Gun magazine in the 1990s and his work has been influential in the world of design and advertising. Lauren Hom Based in Detroit but hailing from California, Lauren Hom got into her amazing career entirely unplanned whilst undertaking an advertising degree. and Jeddah International Airport in Saudi Arabia.