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Prem Krishnamurthy on Design as a “Generous Discipline”

Eye on Design

It was originally published on September 19, 2019. the gallery that Krishnamurthy ran out of a storefront in New York’s Chinatown from 2012 to 2017. You moved to New York from Berlin in 2002. But it’s also a way to defamiliarize a studio or a gallery or a residency and to make other people notice it.

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Assembly Curated: Bringing Fine Art Photography Into the NFT Space

Feature Shoot

. “Alec Soth’s Dog Days, Bogotá may not be his most famous project, but it’s one of the most honest and true to him as an artist,” Shane Lavalette and Ashlyn Davis Burns, the co-founders of the gallery, creative studio, and agency Assembly Curated , tell me. Ursula #29 by Hannah Whitaker , owned by @sashaku9292.

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Bata-Ville: A Shoe Company’s Quest for Global Utopia

Azure Magazine

Converted into offices, condos, galleries and lofts, former warehouses and factories are home to a new urban economy — one fuelled by laptops, real estate and the flow of global financial capital. In 2002, however, the company left Canada for good. The remnants of another city flank Toronto’s spine of skyscrapers. With Sonja Ba?a’s

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The State of Branding: Washington (From Washington D.C Flags to Washington D.C Brands)

Canny

It wasn’t until 19 years later in 1957 that Dunn published an article titled ‘The Origins of the District of Columbia Flag’ which stated his involvement in the flags design. Place Stadium which is the city’s main venue for major sporting events and concerts, and the Vancouver Art Gallery. Hazen and Arthur E. And rightly so!

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26 Contemporary Chinese Artists Explore Materiality in ‘Allure of Matter’

Colossal

Collection of the artist, courtesy of Pace Gallery. Collection of the artist, courtesy of Pace Gallery. 79 (2002–7), polyurethane, colophony, iron powder, silk, and cocoons. Become a Colossal Member and support independent arts publishing. Stockamp Tsai Collection, New York. Do stories and artists like this matter to you?

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Ann Weber Elevates Discarded Cardboard Boxes and Staples to New Heights in Billowing Sculptures

Colossal

.” Weber recently wrapped up a major exhibition at Wönzimer Gallery in Los Angeles. Right: “Almost 16 & 15 and 1/2” (2002), found cardboard, staples, polyurethane, and steel base, 182 x 48 x 49 inches and 177 x 38 x 38 inches. . Installation view at Dolby Chadwick Gallery, San Francisco (2012).

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In ‘Zoophites,’ Les Lalanne Hybridize Beasts and Botany into Functional Sculptures

Colossal

Having worked as a guard in the Egyptian and Assyrian galleries of the Louvre, the artist often referenced ancient mythology and hybridity in his figures. Become a Colossal Member today and support independent arts publishing for as little as $5 per month.