Reconstructing Harry
Fonts by Hoefler&Co.
SEPTEMBER 12, 2007
One of the best things about the type community is the way in which attitudes seem to transcend its generations. It’s heartening to be at a professional event, and see that the exciting new idea that’s being embraced by art school undergrads is also received with equal enthusiasm by, say, Max Kisman, Wim Crouwel, and Adrian Frutiger. But I’ve experienced one clear division in typography that’s drawn along generational lines, and it’s this: typophiles above a certain
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