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Vanderbrand: The Toronto studio crafting identities rooted in place and purpose

Creative Boom

Since its inception, Toronto's Vanderbrand has carved a niche for itself through smart, considered work that largely centres on places and spaces with a range of clients across high-end real estate, hospitality, and cultural projects. This is used alongside Berlin-based foundry Dinamo's font, Social. Focus on solving real problems.

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Hotlist 2025: the 25 most popular design studios, as voted for by their peers

Creative Boom

Others, meanwhile, would love to shout about what they've created, but their clients frustratingly forbid it. Their portfolio spans collaborations with tech giants like Google and Apple, as well as smaller creative projects. Some of these make a lot of effort to publicise their work; some tend to hide their light under a bushel.

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How Loughborough's graphic design BA is shaping the industry's leaders

Creative Boom

Luke Pearson (class of 2010) Luke Pearson is an illustrator with an impressive client roster that includes The New Yorker, The New York Times, Penguin, and Disney Television Animation. Her 14-year journey through the industry has seen her shape exceptional brand experiences for clients, including Mars, Unilever and HSBC.

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10 brilliant illustrators you should have on your radar

Creative Boom

And you don't have to take our word for it: big-name clients like Apple, Google, Gucci and The New York Times are already drawing on these illustrators to bring their designs to life. Amao's portfolio showcases a diverse range of captivating GIFs and animations that brilliantly blend traditional and modern elements.

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James Olstein uses his love of screen printing to create stunning digital illustrations with an analogue feel

Creative Boom

As a graphic design graduate, James has collaborated with many big-name clients, including BBC Science, the Boston Globe, ESPN, FOX, MIT Technology Review, Sony Music and Warner Brothers, to name a few. I started working on getting my own clients and building an illustration portfolio.

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James Hurst on his new role at Google, Big Tech's bad press and why he's hopeful for the future

Creative Boom

Next, he went on to work for Emak Mafu in 2008 when the global recession hit. In short, James has worked at some of the highest levels of the design world, starting from the ground up and getting hands-on with client projects along the way. My portfolio was an A1 printed folder, mainly screen printed. Then sadly, 2008 happened.

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Top 10 Best Courses on Domestika (in English)

Just Creative

In Sagi Haviv’s course Logo Design: From Concept to Presentation will help you break through some of the common misconceptions that surround design and also help your expand your work and portfolio. Stepping outside your comfort zone can be scary, exciting, open you up to new ideas, and even make you more attractive to potential clients.