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RAW COLOR #invitation

Designspiration

Discover more of the best Print Design, Invitations, Type, Book Design, and Print inspiration on Designspiration Saved by Matthew Corey Hall (@coreyhall).

Color 52
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layout #layout #colors

Designspiration

Discover more of the best Book Layouts, Book Design, Print Design, Layout Design, and Posters inspiration on Designspiration Saved by tropenelektronik (@tropenelektronik).

Layout 52
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Design for Print vs Web: Key Differences and Considerations

Inkbot Design

Design for Print vs Web: Key Differences and Considerations Since the advent of the internet, print and web design have often been seen as rivals. However, while there is some overlap, design for print and web requires different approaches, skills, and considerations.

Print 86
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Book of color | Flickr - Photo Sharing! #spectrum #colors #book

Designspiration

Discover more of the best book, graphic design, graphic, book design, and prints inspiration on Designspiration Saved by Technosoul (@technosoul).

Color 52
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A Massive Catalogue of Stitched CMYK Studies by Evelin Kasikov Merges Printing and Embroidery

Colossal

In “ XXXX Swatchbook ,” Evelin Kasikov ( previously ) explores all of the variables of CMYK printing without a single drop of ink. She catalogs primary, secondary, and tertiary colors, two-dozen combinations showing how rotation affects the final pigment, and a full spectrum of rich gradients. magenta 75?, and black 45?—to

Print 101
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8 Female Graphic Designers That’ll Rock Your Socks Off

Just Creative

A 2006 installation created with female designer Stefan Sagmeister shows off her handwork in an ultra-modern context. Her spam email centerfold for print magazine the Vancouver Review will make you tear your hair out with jealousy. Her book illustrations are rich. Postal Service and that’s just for starters.

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“Books remain stubbornly, thrillingly relevant”: the enduring value of book design

Design Week

The annual competition was originally known as Fifty Books of the Year, and jurors focused on the “construction of the book and the printed page”, its current organiser Heather Strelecki tells Design Week. As book production expanded, so did the AIGA’s outlook. Why this year?”