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Standing out from the crowd with corporate identity design

Moo

For example, Uber redesigned its corporate identity in 2016. While neon orange might make your brand pop on screen, that color simply cannot be achieved on paper with digital printing.” If a company’s look and feel doesn’t match how the brand operates, it can negatively impact how customers understand it. The problem?

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Meet Melissa McAuliffe, Shillington Graduate and Exhibition Designer for the National Gallery of Victoria

Shillington

branding, UX/UI, digital, print) and flexibility in workplace (home, in studio or internationally). I was lucky enough in 2016 to quit my job and travel the world for 2 and half years! I took the plunge as I wanted to future-proof my job opportunities. Did you have any previous design experience?

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Brand Awareness: Strategies, Examples, and Measurement

Inkbot Design

Traditional methods still hold value in building brand awareness even while marketing goes digital: print media such as newspapers and magazines or billboards can all be used effectively because they enable you to target specific audiences.

Brand 98
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Brand Launch: How to Launch a Brand That Stands Out

Inkbot Design

Works well in various contexts: Your colour palette should work well in multiple contexts, including digital, print, packaging, and other brand touchpoints. A good colour scheme should include primary and secondary colours, shades, and tints that add depth and interest.

Brand 145
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Print is Dead. Long Live Print.

We And The Color

The current state of the print industry The print industry is not a homogeneous entity, but rather a diverse and complex sector that encompasses various types of products and services. On the other hand, technology also enables new forms of print media that offer higher quality, efficiency, and functionality.

Print 98
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The Hepworth Prize for Sculpture 2018

Inspo Finds

In 2016, Leeds based design agency, Passport , designed the much acclaimed brand identity for The Hepworth Prize for Sculpture. Passport’s original branding for 2016 was based on the idea that it could be ‘pulled apart and reassembled for each year of the Prize.’