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In our May/June issue, we took stock of how design fairs have evolved over the last half-decade. One thing became clear: While Salone still holds the title of the biggest event in design, Copenhagen’s 3daysofdesign isn’t far behind.
” Experimenting freely with mediums, Michael encourages unexpected results and mutations to bloom in the studio, resulting in conceptually abstracted paintings and prints, intricate paper cutouts, 3-dimensional sculptural works, drawings, and animations. .” Photo: Fred R. Conrad, The New York Times 1.
Bargmann’s work hews to themes of economy of means, neighbourhood connections, respect for site histories, and above all a love of the landscape — specifically, the existing and often former industrial landscape. She is renowned for her insights into socially responsive approaches to architecture, design and urbanism.
Max Ernst put an ax beside his sculpture to be used by the visitors “in case they did not like the object”. Happening In the early 1960s , Nicolas Schoffer created the series of “CYSP” (Cybernetic-Spatiodynamic) sculptures capable of responding to changes in sound, light intensity, color, and movement, of the audience. 1 (1960).
ALAIN GILLES Portrait by Lydie Nesvadba Design as a second life: After a brief stint in the financial world, Gilles returned to study industrialdesign, at the urging of his wife, in France. In 2012 Barber Osgerby launched the strategy-based industrialdesign consultancy Map Project Office. JERRY VAN EYCK !melk’s
Design Academy Eindhoven’s previous incarnation – the Academie voor Industriële Vormgeving (AIVE) – was founded in 1947 and was the first school in the Netherlands to teach industrialdesign. Over the years, the curriculum has evolved to reflect changes in industry and the aspirations of its students.
He is currently working on a series of limited-edition sculptural pieces for a 2021 solo exhibition at the Friedman Benda Gallery in New York and creating a pavilion for the London Design Biennale. Susannah Drake. Susannah C. Barbara Bestor.
Vignelli learned how to design lighting fixtures and a house in Venice, but eventually realized , “the architectural process was too slow if compared to the speed of the industrialdesign process.” This led him to shift his focus towards editorial, product, and packaging design.
These days, you’ve got to dig to uncover the really good stuff—or at least trust your friendly Eye on Design editor with a veritable shovel. You wouldn’t think such average objects could be combined to form such a harmonious whole, but damn , industrialdesigner Naoto Fukasawa did just that with his classic Team Demi Office Set.
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