UX Collective
MARCH 26, 2023
It is a typical painting influenced by Constructivism (1915–1930) (The Art Story, 2012). Her teacher, László Moholy-Nagy, introduced photography to her and encouraged her to experiment. After 1928, Henri almost abandoned painting and turned to develop photography. Her painting style was also abstract at that time.
Feature Shoot
MARCH 3, 2022
In November of last year, the curated photography platform Quantum Art launched its first collection: a series of cyanotype self-portraits made by the artist Amy Elkins over the course of 377 days. ” Julie Blackmon, Homegrown – Stock Tank, 2012. . ” Julie Blackmon, Homegrown – Stock Tank, 2012.
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Design Milk
JANUARY 19, 2024
” Launching in 2012, with a collective background in fine arts, curation, creative direction, design, publishing, and fashion, With Projects, Inc. During some time off, I ended up taking photography courses back home in Paris, fell in love with the medium, and kept taking classes back in college while finishing my degree.”
Feature Shoot
MAY 14, 2024
This helps him to capture the dynamics and specifics of social relationships in his photography. ” In your excellent interview with Too Tired Project, you say about this work, “I’m trying to find a deeper approach to mindful photography with this work in order to develop myself personally.” A kind of proof.
UX Collective
DECEMBER 29, 2021
Written by Craig Berry Designer & Writer Reece Leung – Vaughan Jones (2015) In one of my first ‘proper’ fine art classes in about 2011 we were given a brief for a new project; it was simply called “Passions and Obsessions”. Somerset House’s exhibition explores the impact of skateboarding in the UK. The everything.
Feature Shoot
AUGUST 18, 2021
In 2017, Feature Shoot Founder Alison Zavos selected Landfill Dogs as one of the winners of the Feature Shoot Emerging Photography Awards. “I started Landfill Dogs in 2012 by asking my county shelter if each week I could take the dog who had been there the longest to Landfill Park. Photo by Amanda Britt.
Feature Shoot
JUNE 3, 2020
Van Der Zee’s records of the Harlem Renaissance were both art and artifact, evidence of a people and a culture that white America knew virtually nothing about. He debuted the work in 1979 at the Studio Museum in Harlem, showing just 25 images from a seminal series, finally showing it in full in 2012 at the Art Institute of Chicago.
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