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14 fonts to fall in love with: trending typefaces that designers adore

Creative Boom

The weights variation from Hairline to Super with corresponding italics form a coherent and versatile family, making it suitable for book design, poster design, branding, signage systems and more. Roboto by Christian Robertson Roboto is a sans-serif typeface designed by Christian Robertson as the system font for Android in 2011.

Fonts 546
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7 Best Creatives from Belgium

Shillington

The list includes book cover design, whimsical illustrations, visual identity for the arts and a campaign design for a creative awards organisation. Joachim Lambrechts has a background in street art and has been involved in the graffiti scene in Antwerp since the 90s. Read on to see who made the list! Tim Bisschop.

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A new book designed by Span pays homage to lowrider culture

Creative Boom

Slow & Low was originally founded in 2011 as an annual Chicago street festival but has since grown to a high-profile event with over 10,000 attendees. Lowrider car clubs were prominent during the mid-20th century and remain a part of Chicano, Mexican, Aztec, and classic car culture.

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“How Do You Live?”: The Superb Illustrations by Julia Tveritina

Design You Trust

She holds a master’s degree from the National Academy of Arts (2011). In addition to winning a silver medal for her master’s diploma in graphic techniques in 2015 and a grant from the Ukrainian president in 2013, she also won the 2018 Best Book Design award for “Girls Power.”

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The Endless Life Cycle of Book Cover Trends

Eye on Design

The guiding principle of “ like that book but different ” cover design has existed for decades. We were lucky enough to follow in the footsteps of Andy Pressman,” Verso Booksart director from 2011 to 2018. .”

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10 Fresh Font Pairings for Editorial Design in 2020

Shillington

Elena is a lovely font designed specifically for digital text. A clear, crisp and modern-looking serif, it was designed by Nicole Dotin and released through Process Type Foundry in 2011. They make an ideal combination, then, for any design that seeks to use typography to grab visual attention and engagement from the viewer.

Fonts 69
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Patrick Thomas & his PULP silkscreen prints respond to the era of "truth decay"

Type room

He studied at Central Saint Martins and the Royal College of Art before relocating to Barcelona in 1991. In 2011 Laurence King Publishing , published his second book Protest Stencil Toolkit. Since 2011 he is based in Berlin. A—Z is an initiative of book designer Anja Lutz and The Green Box – Kunst Editionen.

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