2010 Exhibition Presentation Typography 
Inkbot Design
JANUARY 10, 2024
ITC Legacy Serif This 1993 serif release from the International Typeface Corporation retains Times New Roman’s professional personality but exhibits tighter spacing and finer hairlines for improved modern display. The condensed proportions occupy less real estate, allowing more content presentation.
Shillington
APRIL 18, 2023
We asked the Shillington graphic design bootcamp community (our students, graduates and teachers) for their favourite designer—past or present—and put them together in this handy list. Her work has been exhibited at museums around the world and she is a professor at Yale University.
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Shillington
MARCH 3, 2021
Read on to find out more about what makes Japanese graphic design truly special and some incredible examples of Japanese graphic designers from the past and present. Custom Typography. This means that graphic designers in Japan are much more likely to use custom typography in their projects. esque brushstrokes in a clever way.
Design Week
JANUARY 29, 2020
Gabriel García Márquez: The Early Years, by Ilan Stavans (2010). The photograph has a wonderful lushness and depth complemented by the understated typography. Listen to This, by Alex Ross (2010). Irma Boom: Biography in Books (2010). Jurors’ note). Designed by St. Design description). Jurors’ note).
Shillington
AUGUST 25, 2020
It was originally devised in 2010 as a set of corporate fonts. It was designed by Philipp Hubert and Sebastian Fischer for use in a Rubik’s Cube exhibition, commissioned by Google. Presently led by Argentinian type design foundry Impallari Type. Alternative to: Avenir. ukasz Dziedzic. Libre Franklin.
Inkbot Design
JULY 28, 2023
Unlike earlier grotesque sans serif designs like Akzidenz-Grotesk, Helvetica exhibited purity of line and form, with carefully balanced strokes, subtle curves, and exceptional legibility. This allows designers tremendous flexibility in fine-tuning typography for any project.
Eye on Design
MAY 26, 2021
This rigorous meta-analysis immediately inserted Dot Dot Dot into the lineage of design journalism and set the tone for its entire run of 20 issues which were released biannually from 2000 to 2010. We take typography and language very seriously, and I think that’s the throughline between Dot Dot Dot and Bricks ,” Lister told me. “So
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