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‘An Indigenous Present’ Is a Paradigm-Shifting Illumination of Native North American Art Today

Colossal

Image courtesy of the artist and Garth Greenan Gallery, New York All pieces by Dana Claxton. 2005), red cedar, acrylic, and horsehair, 24 x 20 x 10 inches. Image courtesy of Fazakas Gallery, Vancouver Both pieces by Caroline Monnet. Image courtesy of the artist Do stories and artists like this matter to you?

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Humans Bond with Animals and Nature in Adrian Arleo’s Poetic Ceramic Sculptures

Colossal

All images © Adrian Arleo, shared with permission Honeycomb faces, a hound with hands for fur, and the all-seeing eyes of a badger are just a few of the hybrid figures in Adrian Arleo ’s striking sculptures. ” Radius Gallery in Missoula will host a solo exhibition of Arleo’s work next summer, and she regularly teaches workshops.

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Where did this interaction come from??—?a brief history of interaction design

UX Collective

Max Ernst put an ax beside his sculpture to be used by the visitors “in case they did not like the object”. In 1961 , Allan Kaprow defined “Happenings” as a form of [performance] art in streets, garages, and shops as opposed to the general exclusive approach of art galleries and exhibitions.

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5 Projects that Capture the Brilliance of Vancouver Architect Peter Cardew

Azure Magazine

Pavilion at Expo 86, the Morris and Helen Belkin Art Gallery, and the Reigning Champ stores in Vancouver, Los Angeles and Toronto. A post-modern complex with hints of sculptural brutalism, the angular 20-storey glass office tower sits atop a simple brick base; an adjoining pool and waterfall animate the public realm.

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Copper Wire Weaves and Spirals into Organic Sculptural Forms by the Late Artist Bronwyn Oliver

Colossal

“Ammonite” (2005), copper, 95 x 90 x 90 centimeters. All images courtesy of the artist and Roslyn Oxley9 Gallery, Sydney, shared with permission. “My sculpture, I like to think of them as the bones of something. “Grandiflora (Bud)” (2005), copper, 60 x 58 x 58 centimeters. meters in diameter.

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60,000 Bees Recreate the Nefertiti Bust and Other Classic Sculptures in Wax with Artist Tomáš Libertíny

Colossal

Tomáš Libertíny prefers to collaborate when recreating iconic busts and sculptures, although his chosen partners don’t join him in the studio. Encased in honeycomb, the resulting sculptures generate a dialogue between the newly produced organic material and art historical subject matter. Absolutely nothing is styled about it.

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A Vibrant Coral Ecosystem of Thousands of Crocheted Sculptures Confronts the Climate Crisis

Colossal

The Australia-born, California-based sisters began the Crochet Coral Reef project in 2005 to confront the devastations of bleaching, over – fishing, tourism, and agricultura l contaminations through sprawling, labor-intensive environments. Photo courtesy of LUAG by Stephanie Veto.