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The story: It’s 2050 and robots walk our whippets and do other duties on Mars. A limited edition of fine artprints is available on Karolis Strautniekas’s website. each copy is hand-signed with the edition number, title, and date. For further information, just take a look at Karolis Strautniekas’ website.
Normally, you’d need to start a print job, then navigate through ‘Browse All Materials’ and ‘Material Settings’ to find the details you need. This means you can name your material, specify the cutting pressure, and even choose to make multiple cuts on the same material. To make this easier, I’ve compiled the entire list of material settings.
From there, the prints are brought inside and fixed in the darkroom—skipping the developer stage—and rinsed. In the print-out photogram, there is no developer used. billion tons of greenhouse gas emissions by 2050. “Darkroom paper has a spray of nano-silver gelatin particles,” the artist explains.
All images courtesy of UCLA’s Center for the Art of Performance, shared with permission. The grocery, which debuted in Times Square last fall with the tagline “Fake Food, Real Garbage,” is open at UCLA’s Center for the Art of Performance through July 11.
Naranja is currently working on a thicker book than he has in the past, which is taking more time to fill, along with an illustrated card project called 2050, which merges science, tech events, and his signature “beauty of note-taking” aesthetic. Follow updates on the artist’s Instagram.
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