Remove 2011 Remove Fine Art Remove Gallery Remove Publication
article thumbnail

The Alternative Limb Project by Sophie de Oliveira Barata is where art meets science

Creative Boom

After almost ten years working for prosthetic medical providers, Barata started The Alternative Limb Project in 2011 and has exhibited her work at museums, art galleries and events worldwide. During her time as an art student, she also worked at a hospital serving tea and coffee. Photo by R.

Art 304
article thumbnail

Celebrating Transgender History Through Photography

Feature Shoot

Galleries didn’t find the pictures very exciting because my images de-sensationalized the subject matter.” “Publishers thought the subject was too limited. ” Back then, she took matters into her own hands, traveling far and wide to share the stories of the people she’d met through slideshow presentations.

Insiders

Sign Up for our Newsletter

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Trending Sources

article thumbnail

“An entity unto itself”: A New York design guide

Design Week

Parks, Standards Manual’s latest publication The co-founders were both partners at Pentagram’s New York office before they set up by themselves. Last year, the Museum of Modern Art (MoMA) expanded its site with 40,000 square foot of new space. Order created a new design system for the gallery.

article thumbnail

Nick Brandt and Jo-Anne McArthur On Photography and Creating Change for Animals

Feature Shoot

Brandt has had multiple solo exhibitions in museums and galleries worldwide, and in 2010 he co-founded Big Life Foundation , a non-profit organization dedicated to protecting 1.6 – in the public conscience. Spain, 2011. million acres of ecosystem in East Africa. ” — Jo-Anne McArthur. Spain, 2010.

article thumbnail

Sketches of Frank Gehry: A Conversation with Jean-Louis Cohen

Azure Magazine

He has explored theory and design from 1900 to the present and incorporated his vast knowledge into publications, exhibitions (including at the 14 th Venice Biennale, where he curated the French Pavilion) and lectures. He also teaches the course History of Architecture at New York University’s Institute of Fine Arts.