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.” Barbados prime minister Mia Mottley asked: “What must we say to our people, living on the frontline in the Caribbean, in Africa, in Latin America, in the Pacific, when both ambition and, regrettably, some of the needed faces at Glasgow, are not present? What excuse should we give for the failure?” temperature rise.
As Amal Dababseh report s, “56 percent of the population of the Arab world currently lives in cities and urban centres and it is expected that the population of cities and urban areas will increase by 75 percent by 2050.”. For Palestinian artist Larissa Sansour , the future is at the forefront of a multi-media métier.
Anyone above 40 in the industry would remember that our “digital stuff” used to be given a graveyard shift in a presentation deck. In one client meeting with a CMO, after the “traditional work” was presented over 45 minutes, it was the turn of the digital team. “OK, I was a “digital” creative director back then at a creative agency.
Based in Johannesburg, Van Der Meulen shares that much of his work exposes the vulnerability of the body and how both minute and drastic changes alter its presentation. The artist writes: I am fascinated by human mortality and the fleeting moments we spend here. Dematerialising” (2020), steel, 2050 milimeters.
An architect by training, the artist ( previously ) is known for her incredibly lifelike paper flowers that explore beauty standards and aging through dramatic decay and flawed growths. x 57 inches Do stories and artists like this matter to you? But in American Grown , Turner turns toward the personal.
At 2006 Venice Biennale, the firm exhibited the project Beijing 2050, which presented “alternative scenarios” for the city in the wake of social and economic forces influencing its architectural form.
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