2010 Exhibition Magazine Typography 
Eye on Design
MAY 26, 2021
“Why another graphic design magazine?” And so begins this new magazine founded by graphic designers Peter Bil’ak, Stuart Bertollotti-Bailey, and Jürgen X. In 2005, Poynor described Dot Dot Dot as “the most stimulating and original visual culture magazine produced by designers since Emigre’s heyday in the late 1980s to the mid-1990s.”
Shillington
APRIL 18, 2023
On top of this, she is also a teacher at the School of Visual Arts, contributes to Imprint and Uppercase magazine and has co-authored numerous books, including The Typographic Universe, American Typeplay and New Modernist Type. Her work has been exhibited at museums around the world and she is a professor at Yale University.
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Shillington
NOVEMBER 12, 2019
They work predominantly for cultural institutions and individuals and this is no exception—their identity for the 2019 David Hockney at the Seoul Museum of Art features a seven-storied title which reflected the exhibitions structure, which itself reflected the phases in Hockney’s body of work.
Inkbot Design
JANUARY 22, 2024
Originality While using a standard font has familiarity benefits, having a unique typography makes your brand more distinctive and ownable. Caslon Another serif face traces back to 1700s typography. Released in 2010, this font conveys capability with approachability. Custom-drawn or modified typefaces are ideal for logos.
Design Week
JANUARY 29, 2020
Gabriel García Márquez: The Early Years, by Ilan Stavans (2010). The photograph has a wonderful lushness and depth complemented by the understated typography. Listen to This, by Alex Ross (2010). Irma Boom: Biography in Books (2010). Jurors’ note). Designed by St. Jurors’ note). Jurors’ note).
Eye on Design
MARCH 10, 2022
In 2010, I curated a selection of Ed Fella’s famous flyers, created “after the fact”—as he put it—for his own lectures, in an exhibition about Surrealism and graphic design at the Moravian Gallery in the Czech Republic. Wild, Fella’s best explicator, wrote about him in Emigre magazine (no.
Inkbot Design
SEPTEMBER 30, 2023
Born on June 26, 1929, in the vibrant heart of New York City, Glaser exhibited an innate talent for art from a young age. As art director of iconic magazines such as Esquire and Bazaar, Wolf was a typography and advertising design titan. The magazine provided an ideal vehicle for Glaser's groundbreaking style.
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