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Gretel's Dylan Mulvaney on city life, serendipity, and why graphic designers never get famous

Creative Boom

As head of design at Gretel NY , Dylan Mulvaney is the creative force behind brand identities for Apple, Netflix and Vice. Described by Gretel as "a low profile dude who has been behind some of our highest-profile work", Dylan's expertise lies in translating a brand's core values, strategy, and voice into striking visual executions.

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Amy Pastre and Courtney Rowson on 13 years of running a studio and where they believe design is heading next

Creative Boom

Since launching SDCO Partners in 2009, founders Amy Pastre and Courtney Rowson have designed hundreds of brands worldwide – including names like LeCreuset and Soludos – but it's their work with industry-disrupting, women-owned businesses that drives their passion. How did the pandemic compare to 2009 for you?

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10 Best FREE Graphic Design Courses Online

Just Creative

Creating Brand Systems: An Overview of Combining Logos and Type. Taught by Mike Ski and Jesse Jay, designers from True Hand, the Creating Brand Systems course asks students to think about how a great logo or brand system comes to be. Free Udemy Graphic Design Courses.

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Future London Academy's ‘Design The Future’ Global Collaboration

Abduzeedo

He has worked with culturally-relevant brands such as Gucci and Vice. . His focus lies in art direction, branding, and photography, with over 8 years of experience, he has worked with numerous established brands and startups to create experiences, identities, and visuals. . John Antoski - Instagram @johnantoski .

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Women’s History Month–Worldview Purveyors

Thinking Design

In 1970 she designed for the brand Alley Cat, with complete creative control, and won the Coty Fashion Critics award in recognition of her work. In 2003 she transformed the brand by expanding into other markets, introducing shoes, handbags, jewelry, and swimsuits to her collections.

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5 Best UX Books to Elevate Your Design Skills

Inkbot Design

By immersing oneself in the users' world and understanding their behaviours, preferences, and pain points, designers can gain invaluable insights that shape the entire design strategy. Buy on Amazon One of the distinctive strengths of “Designing for Interaction” is its emphasis on designing for various platforms.

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The New Era of Money is Slick, Intuitive, and Totally Intangible

Eye on Design

In December of 2009, just over a year after the U.S. The cultural context around 2009 was sympathetic to that perspective — banks were unscrupulous and not to be trusted. Physical money is less visible in the lives of many people than it once was, but brands built around it are everywhere. They just package it differently.