2005 Exhibition Gallery Publication 
Inkbot Design
SEPTEMBER 29, 2023
Her striking branding work for major organisations like the New York City Ballet and the Public Theater in the 1990s further cemented her status as an industry leader. She is also an acclaimed painter whose paintings have been featured in top museums and galleries.
Creative Review
JUNE 2, 2020
Started in 2005 by Craig Atkinson, it began as an antidote to the work he’d been creating himself as an artist. “[My] paintings took a long time, they were big, heavy, and expensive, so I could only really exhibit them in the UK, which I did. “Everything was time-luxurious and counter productive.
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Azure Magazine
NOVEMBER 3, 2020
Pavilion at Expo 86, the Morris and Helen Belkin Art Gallery, and the Reigning Champ stores in Vancouver, Los Angeles and Toronto. A post-modern complex with hints of sculptural brutalism, the angular 20-storey glass office tower sits atop a simple brick base; an adjoining pool and waterfall animate the public realm.
Eye on Design
AUGUST 29, 2022
It started in 2005. I was just doing that at home, on scraps of paper, but then eventually, after maybe a year, I sort of started to get that craving to exhibit the drawings again, but I knew I didn’t want to use the gallery. The vision for Café Royal Books was the idea of disseminating art, without a gallery.
Azure Magazine
MAY 3, 2024
From Douglas Cardinal’s Canadian Museum of History and Raymond Moriyama’s Science North to John and Patricia Patkau’s Audain Art Gallery, the country’s public galleries and museums claim a leading place in the national design discourse, providing a civic lens through which we understand culture, art, history, and nature.
Azure Magazine
JUNE 1, 2021
Honoured with monographs, biography, every kind of award, and now an exhibition of her work organized by the West Vancouver Museum and the Art Gallery of Alberta. Public architectural talks by architects were rare at that time and place, but two landmark events helped galvanize her ambition.
Colossal
MAY 11, 2022
“Ammonite” (2005), copper, 95 x 90 x 90 centimeters. All images courtesy of the artist and Roslyn Oxley9 Gallery, Sydney, shared with permission. Oliver has gained greater recognition in recent years and is included in the corrective exhibition held at The National Gallery of Australia. meters in diameter.
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