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I ?? NY

Fonts in Use

From the School of Visual Arts : “Over the next couple days, I did – purely out of the way I was feeling – an ‘I Love New York More Than Ever’ [poster], because that what was everyone wanted to say – everybody suddenly realized, like, with a sick parent who’s dying, I didn't realize how much I loved them.

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Processing: the Software that Shaped Creative Coding

Eye on Design

The software, called Processing , was designed as a digital sketchbook where novice and experienced coders alike could create interactive graphics. What started in 2001 as a side project has since become a worldwide environment used by thousands of people to explore the creative possibilities of coding.

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Paula Scher: A Visual Symphony of Graphic Design Mastery

Inkbot Design

She is also a passionate educator who has taught at renowned institutions like the School of Visual Arts in New York. The AIGA Medal, awarded to Scher in 2001, recognised her exceptional contributions to graphic design. Paula Scher's legacy shines brightly as communication becomes increasingly visual in the digital age.

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Design Week picks: 5 speakers to see at Offset 2020

Design Week

“We can build digitally, but most designers prefer to work with physical bricks, as it may be the only way they can check stability or functionality on the model,” he says. Alongside his work with Pentagram, Simms also teaches design at the School of Visual Arts in New York. Illustration: Laura Callaghan.

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Unexpected Learnings From Coding Artwork Every Day For Five Years

Smashing Magazine Graphics

For more than five years I have been creating one digital artwork a day, using code to generate patterns, shapes, and animations. My daily art project has helped me to explore my artistic style and learn the practice of coding in a playful way. Unexpected Learnings From Coding Artwork Every Day For Five Years. Saskia Freeke.

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What does Lewisham’s Borough of Culture win mean for its creative scene?

Design Week

” It spans poster campaigns, booklets, as well as digital platforms. Studio Raw’s been based in Deptford since 2001; and Molina says she has worked on networking events to join the creative community in Lewisham, which is particularly strong in Deptford, she says. IYA created the poster design for 2018’s festival.)

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